Damn, Girl-Sappho, and her Immortal Daughters

The mysterious Sappho of Lesbos is one of the most influential poets in history. Her poems--what she called her "Immortal Daughters-- not only influenced the poets of her day but inspired the Romantic and Victorian writers of the nineteenth century. Plato so respected her that he called her "the Tenth Muse," putting her on par with the nine daughters of Zeus.

Fresco of a woman generally believed to be Sappho.
This may not be an accurate likeness, as it was
painted about a century after her death.
Sappho was described in her lifetime as being
"small, dark and ugly" and "violet haired, pure,
honey smiling."

Before we begin, it must be noted that very little is known about Sappho's life, and what is known is often contradictory. Given that so much of her work is lost, it's difficult to be certain of anything about her. New poems and sources on her are quite literally being dug up every day (well, every so often), so some facts presented here may be proved incorrect in the near future.

Sappho was born sometime between 610 and 620 BCE on the island of Lesbos. She was from the town of Mytilene, or the town of Eresus, where her parents were well-established and respected aristocrats. There is evidence that her father was from Anatolia, which would have made Sappho not entirely Greek.

The theory of Sappho's family being migrants comes from the name of her father, and the spelling of Sappho's name. Her father was named Scamandronymus¹, a name familiar to readers of the Iliad. In the Iliad, the hero Achilles fights the Scamander, the god of the river that surrounded Troy. The name Scamandronymus comes from that minor god. Greeks were not in the habit of naming their children after the gods of rival, defeated kingdoms. And while every generation and nationality has parents who enjoy giving their children "unique" names, it is reasonable to assume that Sappho's father may have come from farther afield. To further support this theory, the spelling of Sappho's name varies, also appearing as Psappha, which has Anatolian origins.

Sappho had three brothers: Larichus, Erigyius, and Kharaxos. Not much is known about Erigyiu--not even his name is certain. Larichus was a handsome and successful young man who served as a cupbearer to a noble family. Kharaxos was, by far, the most colorful of the three. Sappho disapproved of him, as he had fallen in love with Rhodips,² an Egyptian courtesan. They were deeply in love, and if that wasn't disreputable enough, Kharaxos had to turn to piracy to support his passion for the beautiful Rhodips.

Now, it must be noted that the Kharaxos story comes from Ovid, a Roman writer who lived hundreds of years after Sappho. Ovid wrote quite a bit about Sappho, but he was, to put it delicately, full of crap. Any story about Sappho put forward by Ovid should be taken with a large grain of salt. However, in the "Brothers Poem" discovered in 2014, Sappho wrote:

"...But you're always chattering that Kharaxos / comes, his ship with fully stuffed hold. As to that, / Zeus and the gods only know, but these thoughts should / not be in your head.

Instead let me go, having been commanded / to offer many prayers to Hera the Queen, / that his undamaged ship should deliver up / Kharaxos to us

here, finding us safe and serene. And as for / the rest of it, to higher spirits leave it / now, for calm seas often follow after the squalling of a storm..."

Sapphic fragment

Now, it must be remembered that Greek lyric poetry, the genre in which Sappho wrote, was highly personal and often autobiographical. It was a significant departure from the epic poetry of the previous centuries. Much like the later shift from the medieval art style to the Renaissance style, poetry went from epics, which were only concerned with the doings of gods and heroes, to lyrical poetry, which were interested in the individual. Sappho doesn't explicitly spell out that her brother was a pirate with a taste for Egyptian prostitutes; she tells us that he was a seafaring man of trade. The scurrilous details (true or not) come from Ovid.

In 604 BCE, Sappho and her family were exiled to the island of Sicily for non-specific political reasons. Sappho's parents were aristocrats with some political clout, and it is speculated that they may have made enemies with the wrong people. They settled in the city of Syracuse. There's no real record of what happened in Syracuse, but the city was later so proud of being the temporary home of Sappho that they later erected a statue of her and minted coins with her face on them.

While Sappho's remaining poetry isn't explicitly political, that Sappho may have written about politics isn't out of the question because so much of Sappho's poetry is lost. In her later life Sappho was a well-respected political figure; when she started talking politics isn't known, but it isn't out of the question that it was pre-exile. It's difficult to say because Sappho was somewhere between six and sixteen at the time of her family's exile.

Sappho's family returned to Lesbos some time in the 590s, and it was then when Sappho married Cercylas of Andros and had one daughter, Cleis, named after Sappho's mother.

Now, Sappho is synonymous with female homosexuality. The term "lesbian" takes its name from Sappho's home island of Lesbos, and the world "sapphic," a word used to describe female homosexuals of all stripes, takes its name from Sappho herself. While many historians and writers have tried to dismiss Sappho's more homoerotic poetry as "just gals being pals," only people reading Sappho in a state of willful ignorance would agree. In her poem "Gongyla," Sappho writes:

"Gongyla, thou golden / Maid of Colophon / Like the breath of morning / Or a breeze from the sea, / Fresh thy beauty smote me, / Virile of the north. / Startled by thy vision, / Transports half divine / Flooded hearts and bosom, / Shook me with desire."

The location of Lesbos (also called Lesvos.) Note the
proximity to Anatolia.

In Mnasidica, Sappho writes:

"Dica, Mnasidica, thou art shapely / With the flowing curves of Aphrodite; / ...All thy rays of loveliness concentered / Sun me till I swoon with swift desire."

And then, of course, the iconic and completely heterosexual:

"Sweet mother I cannot weave / Slender Aphrodite has overcome me with longing for a girl." 

While the above more than demonstrates Sappho's love for women, her sexuality is not definite. While she has become the poster girl for lesbianism, it is just as likely that Sappho was what we now classify as bi or pansexual. There are many men mentioned in the long list of Sappho's lovers, and she did have a daughter. And, don't forget, there was her husband, Cercylas of Andros.

However, "Cercylas of Andros" may be some ancient writer's idea of a joke, as the name of Sappho's husband roughly translates to "Prick of the Isle of Man." It is possible that Cercylas was fictional, an addition from later writers to sanitize Sappho, or, as was popular with later Greek writers, to make fun of her. It is certain that Cleis existed, as Sappho wrote of her:

"Sleep, darling/I have a small/daughter called / Cleis, who is

 like a golden / flower / I wouldn't take all Croesus' / kingdom with love / thrown in, for her"

Whether Cleis was Sappho's biological daughter, adopted daughter, or a particularly adored niece, it is evident from this fragment that Sappho adored her. This view of Sappho as a mother figure is unsurprising, given the large circle of women Sappho befriended and purportedly mentored.

Sappho had a lot of friends, that much is certain. However, her relationship with them is just as murky and uncertain as the woman herself. Were they friends? Were they students? The true answer is lost to history. Tradition holds that Sappho ran a thiasos, a sort of finishing school for young ladies. Modern theories posit that she was more the hostess of an Ancient Greek salon, or a hetairia.

Aphrodite. Of her, Sappho wrote:
"Aphrodite of the foam/Who hast
given all good gifts/And made Sappho
at thy will/Love so greatly and so much"

The idea that Sappho held a thaisos comes from the multiple young women she wrote poetry to as her students. Legend holds that her thiasos started out as a type of finishing school, where nobles would send their young daughters to be taught the womanly accomplishments they would need for marriage. However, over time Sappho's school evolved into a cult of Aphrodite and Eros, with Sappho as high priestess.

This theory is supported by the large volume of remaining poetry devoted to Aphrodite. And while there is no definitive proof of Sappho entering the priestesshood, she seems to have exercised an extreme level of devotion to the goddess of love and beauty. The only intact poem of Sappho's is her "Hymn to Aphrodite," and it ends with the provocative:

"All I long for; Lady, in all my battles / Fight as my comrade."

Now, while this sound like a completely normal thing for a religious person to say, it must be kept in mind that the Ancient Greeks didn't have the same sort of relationship with their gods as believers in Abrahamic religions. The Greek gods were capricious and cruel. Catching their attention ended in disaster 99% of the time.³ Enlisting the help of the gods was done with great caution and great reverence, normally in a temple with the appropriate sacrifices and offerings. This tender, personal entreaty to Aphrodite suggests that Sappho believed that she had a personal relationship with the goddess, priestess or no.

While Sappho may have thought herself to have a connection to Aphrodite, the amount of poetry dedicated to the goddess may exist because Sappho's bread and butter were wedding songs. (As a lyric poet, Sappho's poems were meant to be sung.) Ancient Greek weddings went on for several days, and singing was a major part of the celebrations. Songs comparing the groom to the great heroes of Greek lore, and the bride to the goddess Aphrodite or the infamous Helen were as much a staple of ancient weddings as Mendelssohn's Wedding March or Pachelbel's Canon are of modern weddings. In fragment 27, Sappho wrote:

"Raise high the roof beams, workers! / Hymenaeus! / Like Ares, here comes the bridegroom! / Hymenaeus! / Taller than the tallest men! / Hymenaeus!

In a different song, she wrote:

"Bride, of maidens all the fairest image / Mitylene treasures of the Goddess, / Rosy-ankled Graces / are thy playmates;"

Bust of the Poetess

It is possible that Aphrodite was just another love and beauty-centric subject for Sappho to write about and that Sappho held the goddess in no regard at all. It doesn't seem likely, but it's also possible that Sappho had purple hair and seven toes. With Sappho, most things are possible.

The idea that Sappho ran a hetairia comes from historians in the 20th and 21st centuries. Instead of running a school, it is believed that Sappho hosted a salon, exchanging artistic ideas with a diverse group of female poets and musicians. Even in this scenario, historical tradition portrays Sappho as being older than the rest of her gal pals and being in a mentoring position. While Sappho almost certainly did some instruction to the women performing her work, like any modern conductor would, there is no definitive proof that Sappho served as a teacher at all. In fact, Sappho's poetry suggests that she was more the member of an informal circle of friends. In a prelude, Sappho wrote:

"Deftly on my little / Seven-stringed Barbitos, / Now to please my girl friends / Songs I set to music"

In fragment eleven, she says:

"I will sing this skillfully to please my friends."

These lines make it clear that pleasing her friends, and having her friends' approval was important to Sappho, more important than the approval of a student generally is to a teacher. Furthermore, Sappho herself mentions her friends, writing in her poem "Damophyla":

"Sapphics thou has written, / Verses in my meter, / With a skill surpassing / In the melic art."

Sappho was clearly not the only poet in her social circle. Where then did this theory of Sappho being a school mistress or intellectual mentor come from? For hundreds of years, it has been an almost indisputable fact. This theory most likely comes from a misunderstanding of female friendships and Sappho's sexuality.

Since history has, until recently, been looked at from an exclusively masculine point of view (stay with me, gentlemen), historical women have been relegated to rigid roles, no matter the fact that women, just like men, are complex and cannot fit into a single defined category. It is easy to put Sappho in a teacher/mother category because of her poetry about her daughter. Her work, in certain lights--especially her work dedicated to her friends--might come off as instructional. However, looked at in a different light, her poems read more like a woman giving her best friend advice. For example, in fragment 75 she says:

"Oh Dica, set garlands upon your beautiful hair, / weaving plant strands with your delicate hands; for / those who wear attractive blossoms will surely / rank first, even among the Goddesses, who frown / upon those without garlands."

While more poetic, this has the same cant as a woman giving her friend fashion advice. Sappho goes beyond fashion advice, however. In fragment 66, she says:

"I believe the woman that has your wisdom will / never see the sunlight." 

This heartbreaking commiseration over the abominable treatment of women in Ancient Greece isn't the end of it. In Fragment 39, Sappho says:

 "But to you, Atthis, thinking of me is hateful, as you / flee to Andromeda"

This fragment has often been touted as definitive evidence that Sappho ran a school. Her student, Atthis, defected to a rival school run by Andromeda. However, if you scream this poem angrily, it becomes clear that it could also be interpreted as Sappho lashing out angrily at a friend who has betrayed her.

Then there's Fragment 33, which says:

"Foolish woman! Be not proud for a ring."

Here's Sappho reproaching a woman for vanity, poor money management, general bitchiness. Without more of the poem it's difficult to say. It is important to notice the subject is referred to as a woman instead of a girl.

Some of Sappho's poetry comes across as downright gossipy. Fragment 73 says:

"More pleasing is Mnasidika than tender Gyrinno"

And fragment 74:

"I never found someone more disdainful than you, O Anna." 

Sappho was clearly excellent at throwing shade.

"Pompe Dressing for a Dionysian
Festival" shows the typical Greek
fancy dress (or undress) for women.
Note the garlands.

Looking no farther than her poetry, it is clear that Sappho had a much more intimate relationship with her friends than that of a typical teacher. Sappho felt comfortable advising her friends. She clearly viewed them as equals and had no problem calling them out on their bullshit.

Sappho was often likened to Socrates, a noted pederast. Because of Sappho's equation with Socrates, and because historically society has had difficulty wrapping its collective heads around women and copulation, her sexuality was understood not from a female perspective but from a masculine perspective, and Ancient Greek male sexual norms were ascribed to her for centuries. It is only in recent years that Sappho's sexuality has been looked at from a female perspective.

The assumption of female homosexuality being exactly like male homosexuality brings in the interesting question of pederasty. Among Ancient Greek men, homosexuality was normalized within a pederastic context. An older nobleman found a hot piece of ass he wanted to "mentor," and the pair struck up a relationship. It was assumed that the same would apply to women. However, in no context does Sappho demonstrate a romantic and sexual love for a younger person. In fact, she makes her feelings on the matter quite explicit in fragment 72, saying:

"For if you love me, choose another, younger / spouse, for I will not suffer to live with you, as an / old woman with a young man."

Though she is speaking to a man (remember, bi- or pansexual) these lines make Sappho's preferences clear. And while there are poems where Sappho describes her love for a "maiden", there were several different Greek words for love, and this should not be taken as sexual love.

Furthermore, when Sappho does describe a "maiden" in a sexual way, it's a maiden with another maiden, not with Sappho herself. In her poem "Telesippa," Sappho writes:

"Sleep thou in the bosom / of thy tender girl friend,/ Telesippa, gentle / Maiden from Miletus"

The poem goes on to become more sexually explicit, saying:

"Warm from her desireful / Heart the flush of passion / On your cheek unconscious, / With her sighs shall deepen. / All the long sweet night-time, / Sleepless while you slumber, / She shall lie and quiver / With her love's mad longing."

Telesippa is clearly engaging in an affair but with a person of her own age. Sappho doesn't project herself as Telesippa's lover, nor does she act the part of the voyeur. In fact, the poem could almost be seen as Sappho giving Telesippa a pep talk, assuring her of great things to come.

Whatever the dynamic of Sappho's friend group, Sappho garnered fame throughout the ancient world and not for her "school." She was referred to as "the poetess," an allusion to Homer, who was frequently called "the poet." This epitaph demonstrates that, in her own time, Sappho was though to be on par with Homer, who continues to remain the most influential male poet of antiquity.

Her fame was well deserved. Sappho was the vanguard of a new type of poetry, lyric poetry. Personal, introspective, and meant to be sung, lyric poetry was a big departure from epic poetry, which had been the zeitgeist for decades previously. In modern terms, Sappho was more of a singer-songwriter than a poet.

Much of Sappho's poetry was set in what we now call "Sapphic meter," which consists of four lines--three long, the last short. The combination of stressed and unstressed syllables⁴ gives Sappho's poetry a distinct character that has been copied over and over again since she conceived it.

Woman playing the pectis

In addition to revolutionizing poetry, Sappho also made her mark on music. Sappho was a talented musician and vocalist herself and was noted for performing and leading performances of her own work. Based on her success, it is not unreasonable to assume that she must have been a good conductor as well. She was credited by her contemporaries with the invention of the pectis, a triangular harp, the plectrum, a type of proto-guitar pick, and the Mixolydian mode, a proto-scale that would survive into medieval music and make a comeback in modern popular music⁵.

There are two theories put out about the end of Sappho's life--the plausible and the dramatique. The plausible theory is that she died of old age in the 550s. The more theatrical story, put about by our old buddy Ovid⁶, is that, distraught over her unrequited love for a man named Phaon. This incident is referred to as the "Lucadian Leap," and appears multiple times in Greek mythology.

The connection of Sappho with the Lucadian Leap may have been an attempt at humor. It could be that this story of Sappho, a known homosexual, throwing herself from a cliff for love of a man could have been an attempt to satirize romantic love. Or an attempt to make fun of Sappho and her overblown love of love. Or, it's possible that when talking about the Lucadian leap, later writers weren't even talking about the Poetess Sappho of Lesbos, but instead another Sappho who was a courtesan working on Lesbos⁷.

Sappho was well respected during her lifetime. As mentioned, she was placed on the same level as Homer. Several of her turns of phrase entered Ancient Greek as common expressions. Phrases like "love, that sweet loosener of limbs," "I am of two minds," and "more golden than gold" entered the vernacular.

The philosophers Plato and Solon were big fans of hers. Solon, who wasn't known for his displays of emotions, reportedly:

"...heard his nephew sing a song of Sappho's over wine, and since he liked the song so much, he asked the boy to teach it to him. When someone asked him why, he said: so that I may learn it, then die."

Plato referred to her as "the tenth muse." Even Ovid gave her credit, saying, "What did Sappho of Lesbos teach girls but to love?"

The tale of the Lucadian Leap may have originated
from this myth about Aphrodite.

While Sappho's work was largely passed around orally, her complete works were also gathered into a nine-volume book by the scholars at the Library of Alexandria in the 200s. The books were most likely organized by meter, and each contained somewhere around 1,300 lines of poetry. Unfortunately, these books no longer exist in their original form.

A lot of the myths swirling around Sappho come from stories put around by New Comedy writers after her death. Her sexual habits were exaggerated and mocked. She was dismissed as a licentious deviant. This led to her work being banned by Roman censors and burned by Pope Gregory VII.

Much of Sappho's work is lost, not just because of censors and the tragic loss of the Library of Alexandria, but because Aeolic, the dialect of Greek Sappho wrote in, is incredibly difficult to translate. Even a few centuries after her death Sappho was a hard read, so her works weren't constantly transcribed like the works of other writers. However, archaeologists are still digging up new Sapphic fragments. Her poetry has been found in the wrappings of Egyptian mummies, and occasionally turns up in the collections of private individuals. With any luck, new Sappho poems will keep turning up, and our knowledge of this pioneering poetess will continue to grow.

In fragment 30, she predicted:

"I believe men will remember us in the future."

She certainly wasn't wrong.

Sappho, by John William Godward

¹Or Scamander, Simon, Eunomius, Eumenus, Eerigyus, Erigyius, Ecrytus, Semus, Camon, or Etarchus. Sources disagree, but Scamandronymus is the most common.
²Rhodopis is also sometimes known as Doricha.
³Artistic license has been taken with the statistic, but, despite not being based in actual fact, 99% probably isn't too far off.
⁴For a much better, and painfully exact description of what Sapphic Meter is, click the hyperlink.
⁵For more information about modes, go here for a comprehensive explanation.
⁶This theory may have also originated from the Greek dramatist Menander, or the Roman writer Lucian.
⁷However, the existence of other Sappho is also disputed. She is often used to explain later stories of Sappho the Poetess being a prostitute. The tenuous existence of other Sappho is supported by the shaky claim that other Sappho was born in Eresus, instead of Mytileneans, where the Poetess was from. Other Sappho could have been a real person, but she may also have been a later invention meant to polish up the image of Sappho the Poetess, and absorb the malevolent stories put out about her.

This article was edited by Mara Kellogg.

Sources
Sappho: the Complete Works by Delphi Classics
Early Greek Poet's Lives: Shaping the Tradition by Maarit Kivilo (Chapter seven)
"Sappho, Schoolmistress" by Parker N. Holt
"Ancient Greek Wedding Songs: the Tradition of Praise" by Rebecca H. Hague

"Sappho's Company of Friends" by Anne L. Klinck

"Sappho's Prayer to Aphrodite" by A. Cameron

Sappho-Poets.org
Sappho-Poetry Foundation
Sappho-Britannica
Sappho-Ancient History Encyclopedia
Sappho-Ancient Literature

Damn, Girl-Queen Christina of Sweden, Minerva of the North

One of the most colorful queens of history, Christina of Sweden lived many lives within the span of 62 years. An enigma wrapped in a mystery deep-fried in a contradiction, she ruled Sweden for fourteen years and oversaw some of the best infrastructural and cultural improvements of the country at the time, yet she abandoned her country to live unfettered by duty. She was a philosopher and a patron of the arts whose collecting and patronage preserved some of the best late Renaissance/early Baroque art and music, and was a major player on the European political stage.

Christina

Christina was born in December of 1626 to Queen Maria Eleonora of Brandenburg and Gustav II Adolf, who were desperately seeking an heir. Maria had had three previous miscarriages, and all of them had been girls. When Christina was born, Maria was very disappointed that she had another daughter instead of the son she had hoped for. Gustav, on the other hand, was ecstatic that they finally had a living child and ordered that she be treated and educated as a prince. Four years later, she was declared heir apparent.

Gustav was deeply embroiled in the Thirty Years War, and after being separated from his men, he died in battle in 1632. Gustav was a remarkable ruler in his own right, but his wife was...unstable. Before his death, Gustav had ordered that Christina be raised by her aunt Catherine and not by her mother. However, that order was disobeyed, and Christina lived with her mother for several years.

To say that those years were unhappy would be an understatement. Maria Eleonora had plunged into a deep depression after the death of her husband. She had her apartments draped in black and refused to let Gustav be buried keeping his body lying in state, except for his heart, which she kept with her in a small, gold casket. She insisted that Christina be with her at all times and, in turns, verbally abused her daughter for not being a boy, criticized her for not being feminine enough, and scarred the young queen with outbursts of violent affection. The governors appointed by Gustav to take care of Christina during her minority deemed Maria unfit as a mother and gave custody of Christina to her aunt. Maria Eleonora was exiled to Gripsholm castle.

Gustav II Adolf

Christina's youth with her aunt and cousins was filled with lessons. This might have been tedious to any other child, but Christina passionately loved learning and would spend her life in hours of daily study, and she often said that her favorite activity was learning new languages¹. In her childhood, she would rise at five, then spend six hours at her lessons. On weekdays, those lessons were the academics one would expect. On weekends, she was tutored in the princely sports of riding, shooting, and swordfighting. Afternoons saw politics lessons with Axel Oxenstierna², one of the most accomplished politicians of the era.

Christina's main tutor was Johannes Matthiae, a retired clergyman and skeptic of the Lutheran faith. The Lutheran faith, then as now, was the state religion, and rulers were required to be Lutheran. Mathie taught Christina to question Lutheranism, a skill that would aid and plague her throughout her life.

Though Christina would not formally assume the throne until 1644,³ she was consulted in serious political matters as early as 1638, when she was just twelve years old. She started ruling with the council in 1640. During these early years, she showed a strong inclination against warmongering and favored the improvement of Swedish infrastructure and extending welfare and education to the lower classes. Achievements of this time include overseeing the refurbishment of Stockholm, and the setting out of the "Instructions", a document that stated in exacting detail how the colony of New Sweden was to be run. The "Instructions" contained progressive ideas like not warring with the surrounding colonists and not massacring the Native Americans. It instructed that colonists were to pay tribes for their lands and that they were to practice religious tolerance.⁴

Maria Eleonora

After reaching majority, Christina most notably helped bring an end to the Thirty Years' War by declaring that the official religion of a state should be the same as the religion as its ruler. She established the first Swedish newspaper and opened up education to all citizens.

Christina's goal was to bring the fledgling Enlightenment north. She wanted to turn Stockholm into the "Athens of the North", and for this, she is often known as the "Minerva of the North". A big fan of philosophy, going so far as to claim it was more important than science, Christina imported philosophers to her court--most notably Rene Descartes, who tutored her personally.⁵

All of this was quite expensive, and Christina's habit of giving away crown lands and her refusal to marry worried her nobles. Even more worrying was her relationship with her beautiful Maid of Honor, Ebba Sparre.

Ebba Sparre was the daughter and granddaughter of politicians and was also a celebrated beauty. As is the case with so many people of the era, much of the details of her life are lost to history, and the lady herself might have been entirely forgotten had she and Christina not been lovers.

Though not much is known about their affair, that it existed is unquestionable. Even for an era where friendship was proclaimed in far more florid and intimate terms than it is now, Christina was suspiciously demonstrative of her love for Ebba. She proclaimed Ebba as her royal bedfellow and frequently gushed about her "friend" to foreign ambassadors, urging them to appreciate Ebba's beauty and wit. Surviving letters from Christina to Ebba paint an undoubted picture of extreme passion. In 1656 Christina wrote to Ebba:

"How happy I should be if only I could see you Beautiful One. But I am condemned by Destiny to love and cherish you always without seeing you; and...I cannot be completely happy when I am separated from you. Never doubt this fact, and believe that, wherever I may be, I shall always be entirely devoted to you, as I have always been...Goodbye Beautiful One, goodbye. I embrace you a million times."⁶

Ebba Sparre

Though Ebba married Jakob de la Gardie in 1652, some sources claiming on Christina's suggestion, others her ire, the two women remained in contact throughout their lives. Christina tried to visit Ebba several times but was prevented by Ebba's family. The pair would never meet again after Ebba's marriage.

In 1654, Christina finally achieved her dream of abdicating. She had been trying to give up the throne since 1650 and had petitioned the Riksdag no less than 20 times, claiming that ruling was bad for her health. They had previously denied her requests, but in 1654 they relented.

Why, exactly, the Riksdag relented is a matter of some debate. Some sources claim that it was because Christina had alienated the nobility with her spending and attempts to enlighten her court. Some sources say that the affair with Ebba Sparre and Christina's refusal to marry made the Riksdag worried about the future of Sweden. Other sources claim that it was because Christina had converted to Catholicism, and that the Riksdag was forced to let her abdicate. Whatever the reason, Christina designated her cousin and once fiance Carl as her heir and abdicated.

The Swedes, at large, were NOT happy with this development. Despite the feathers she ruffled, Christina was still wildly popular with nobles and peasants alike, so popular that she had to uncrown herself during her abdication ceremony, as the gentleman assigned to the task refused to do so.

Christina was described as being "short,
pockmarked, with a humped right shoulder"

Dressed as a man, Christina left Sweden, and arrived in Rome. In 1655, she officially converted to Catholicism, which was a huge coup for the Vatican. The conversion of a previously Protestant ruler made Pope Alexander VII so happy that he gave her sumptuous apartments in the Vatican and gave her a stipend from church coffers to help maintain her lifestyle. This enamorment didn't last long, as the pope soon discovered that Christina wasn't one to blindly accept the religious teachings of the church. That aside, Christina kept a home in Rome for the rest of her life and was called friend by seven popes.

Finally, free to do as she wished, Christina traveled Europe. She became a major patron of the arts, amassing a huge collection of Venetian school paintings, opening the first opera house in Rome, sponsoring the composers Arcangelo Corelli and Alessandro Scarlatti, founding the still functioning Arcadia Academy, and rescuing the reputation of the architect Bernini. She began writing herself, publishing three main philosophical works and sponsoring philosophical conventions around Europe.

Though Christina spent most of the rest of her life writing, art collecting, and philosophizing, she did make two more forays into politics. In 1657, it came to light that Christina had been plotting the takeover of Habsburg Naples with the support of the French crown. The scheme collapsed after Christina attended the summary execution of a traitorous servant at Fontainebleau. In 1667, she attempted to have herself elected queen of Poland but was unsuccessful. She was, reportedly, not too distressed about this failure.

In 1670, Christina returned permanently to Rome and lived there until her death in 1689. She died a well-respected philosopher and patron of the arts. She was buried in the Vatican Grotto--one of only three women to be buried there.

Christina in her later years

Christina's main focus in philosophy, like so many other philosophers of her day, was on the nature of love. According to Christina, real love was religious in nature, and very rare. She also believed that men and women were equal, saying that "soul had no gender". She was also a big fan of religious tolerance, exerting her influence to protect Rome's Jewish community and the Huguenots in France. In government, Christina was a big fan of Enlightened Despotism, believing that a good and enlightened ruler with absolute power was the only way to properly govern a country. She wrote three books on her philosophical views.

One of the most commonly discussed aspects of Christina is her gender and sexuality. Historians have been quibbling over the question since before Christina was history, and unless Christina rises from the grave to give us a definitive answer, it is unlikely that we will ever have a definite answer. Christina has been, by turns, described as straight and slandered, bisexual, lesbian, transgender, hermaphrodite, and asexual.

This historian strongly favors the bisexual and lesbian theories, as Christina's name was later linked with that of Cardinal Decio Azzolino, as well as that of Ebba Sparre. Christina also wrote passionate letters to women whose writings she admired and once spent several hours alone with a famed courtesan. Whatever Christina may have felt and done with other people, it seems likely that Ebba was the love of Christina's life. Christina's lifelong letters to Ebba show a woman who is very much in love, and neither party ever found happiness with another person (Ebba's marriage was famously unhappy).

Christina's tomb beneath St. Peter's Basilica in Rome

Christina was a woman of contradictions. She hated the task of ruling, yet attempted to take over two countries. She believed in gender equality, but said on multiple occasions that she didn't think women should rule. She loved women, but did not often enjoy their company. Christina led a troubled life and has gone down in history as one of the most complex and intriguing monarchs in European history.





¹Christina reportedly learned to speak Latin, Spanish, Italian, German, and French, in addition to Swedish. She also had some knowledge of Hebrew and Arabic. Out of all of these, French was the one she used most frequently and the language she wrote in.
²Christina loved learning from Oxerstina and claimed to prefer learning from him above all else. However, later in her reign, she limited his power, resentful of his attempts to limit her power during her minority. Oxerstina, a devout Lutheran, tried to limit Christina's contact with her cousins due to the Calvinist leanings of their parents. This may also have contributed to Christina's later ambivalence toward him.
³Though she assumed the throne in 1644, she was not officially crowned until 1650 because of Sweden's involvement in constant warfare.
⁴Religious tolerance aside, colonists of New Sweden were still supposed to try and convert the Native Americans to Christianity.
⁵Descartes unfortunately died of pneumonia four months after reaching Stockholm. This may have been contributed by Christina's insistence at 5 am study sessions in the freezing winter.
⁶Quote taken from "'A Girton Girl on a Throne': Queen Christina and Versions of Lesbianism, 1906-1933" by Sarah Waters.


This article was edited by Mara Kellogg.

Sources
"Christina of Sweden" by Marguerite Horan Gowen
"Christina of Sweden (Continued)" by Marguerite Horan Gowen
"A Girton Girl on a Throne': Queen Christina and Versions of Lesbianism, 1906-1933" by Sarah Waters
"Two Portraits of a Queen: Calderón and the Enigmatic Christina of Sweden" by Deborah Compte
Wasa, Kristina (1626-1689)
Christina, Queen of Sweden
Famous Queen Christina
Queens Regnant: Christina of Sweden--the Girl King
Queen Coins: LGBTQ Rulers Through History

Gilbert Baker and the Rainbow Flag

You may have never heard the name Gilbert Baker, but you've definitely seen his work. Baker was fashion designer, drag queen, and the creative genius behind the rainbow flag.

An original design pride flag, including hot pink and turquoise.

San Francisco of the 1970s was a haven for LGBT people of every stripe. With the groundbreaking election of Harvey Milk in 1977, the Gay Rights Movement was gaining momentum. As more and more legislation to protect LGBT people was introduced, and as more and more legislation to oppress LGBT people was being fought, the need for a unifying symbol of the greater Gay Rights Movement was needed.

Previous to 1978 the pink triangle had been used as the symbol for the movement. The pink triangle was introduced in the 1930s as an identifying mark for gay men in Nazi concentration camps.¹ Activists in the 1970s attempted to reclaim the symbol, but the pink triangle still held (and still holds) negative connotations, and memories of pain.

Enter Gilbert Baker, drag queen and sewing machine wiz. He was asked by Milk and other members of the San Francisco LGBT community to create a better symbol for the movement. In a moment of inspiration, Baker decided on a rainbow--a cross cultural symbol of hope.

Creating the first flag was an enormous undertaking. Gilbert had to hand dye the individual strips of cotton, filling several metal trash cans with dye, and soaking the fabric at the local gay community center. Baker recruited several friends to help with the dyeing process, and his flag made its debut at the 1978 Gay Liberation Parade.

The rainbow flag commonly used today has six stripes--on for every color of the rainbow excluding indigo. Baker's original flag had eight colors--hot pink, red, orange, yellow, green, turquoise, blue, purple. The hot pink was dropped from the flag a few months after its inception. After Harvey Milk's assassination in November of 1978 demand for rainbow flags was high, and there was a shortage of hot pink fabric. The turquoise was dropped in 1979 in order to make the flag more symmetrical.

Each color in the flag has an assigned meaning. The meanings assigned to the original eight colors are:

Gilbert with his flag after its acquisition by the Museum of
Modern Art in 2015.

• Hot pink for sex
• Red for life
• Orange for healing
• Yellow for sunlight
• Green for nature
• Turquoise for magic
• Blue for serenity
• Purple for spirit

The modern flag has kept many of the same meanings, with only the meaning of blue changed from serenity to harmony.

Today, Baker's original flag resides in the Museum of Modern Art, and replicas of his flag fly in all countries of the world, creating a common symbol for a diverse, worldwide community.



¹Unfun fact: Lesbians put into concentration camps were given a black triangle, as Hitler refused to acknowledge that lesbianism might exist. These ladies were, instead, labeled as 'anti-social', or as living a way contrary to the norms of society.

Sources
When We Rise by Cleve Jones
Gilbert Baker Official Website
Gilbert Baker Biography

Damn, Girl-Isabella, Queen of England, 'She-Wolf' of France

Militant and ruthless, Isabella of France was the sort of queen HBO and Starz make television shows about. Married at twelve, Isabella spent the early years of her reign being scorned and passed over for her husband's male favorites. Forced to stand between her husband, his aristocracy, and England, Isabella became a wily diplomat and politician, which later saw her ousting her corrupt and weak husband with the help of her lover. Though she saw real power for only four years, she saw her son onto the throne, and was instrumental in holding England together during the tumultuous years of Edward II. Deemed 'the she-wolf of France'¹, Isabella was a fierce defender of what was hers.

Our girl Isabella, deciding the fate of her enemies.

Born sometime between 1292 and 1295, Isabella was the sixth child and only surviving daughter of King Philip the Fair of France, and Queen Jeanne of Navarre. Very early in her life Isabella was given into the care of Theophania St. Pierre, who served as her nurse and companion even after her marriage.

Despite being cared for by Theophania, Isabella was, in no way, neglected by her parents. As their only girl she was much indulged, and given several grants of land, making her wealthy even as a child. In addition to being given land, Isabella was also given a rudimentary education,being taught to read even though her father generally held the belief that only nuns should be taught to read. Isabella developed a love of books and learning that would sustain her throughout her life.

It is important to note the sort household that Isabella was raised in. While by no means normal, Isabella's family was idyllic by the standards of the times, and the modern day. Her parents were in love, and it was very likely that their marriage had been a love match. Isabella's mother ran her country, Navarre, independent of Philip's France, and Philip was a strong, if somewhat brutal, king of France. Isabella was raised by exemplary monarchs with strong relationship. This would stand in stark contrast to the men in her own future, and may have contributed to the disillusionment that Isabella would experience later in her life.

At the time of Isabella's birth France and England were, unsurprisingly, at war. Traditional enemies, England and France's latest quarrel was over the regions of Aquitaine and Gascony, regions that the two countries had been fighting over since Eleanor of Aquitaine's marriage to Henry II, and the transfer of her lands to English hands, four generations previous. Philip IV and Edward I were ready to call a temporary truce, and they decided to seal the deal with a double marriage--Philip's sister, Margaret of France, to Edward I, and Edward I's son, Edward of Caernarvon, to Philip's only daughter, Isabella.

The marriage was agreed to in 1298, and Edward pressed for Isabella to marry his son immediately, but an intervention from Pope Boniface VIII, proposing that marrying off a three year old was perhaps a little unethical, delayed the union. The couple were married by proxy when Isabella was seven, then married for real in 1308.

Edward Caernarvon at his coronation.

Twelve year old Isabella was hailed as a beauty, and was greeted joyously by her new English public. Her husband, Edward, however, wasn't as enthused. It wasn't that he disliked Isabella, it was just that he was enamoured with another man, and he was completely indifferent to the twelve year old he had just vowed to love, honor, and obey. Edward already had someone to love, honor, and obey, his husband favorite, Piers Gaveston.

Piers Gaveston and Edward II went all the way back to 1300, when Edward was 15 (ish). Edward's father, Edward (hereafter referred to as 'Big Daddy Ed'), wasn't too terribly impressed with his son. Big Daddy Ed was a Medieval King's Medieval King. His hobbies included holding tournaments, producing heirs, and warring with the Scots. Edward, on the other hand, liked music, swimming, rowing, and thatching. Big Daddy Ed was disgusted with his son, and so he installed Piers Gaveston, the son of a poor knight, in Edward's household. Piers was the sort of fellow that Big Daddy Ed would have liked to have for a son--athletic, refined, and a great lover of warring with the Scots. He'd hoped that Piers would be an improving influence for his son, unfortunately, Piers was anything but. Piers and Edward fell in love almost immediately, and the pair proceeded to wreak havoc among the nobility and common people.

While Piers doesn't appear to have been present at Edward and Isabella's marriage, he was most notably present at their coronation (Big Daddy Ed having died a few months before). Piers had controversially been raised to the title of Earl of Cornwall², and as such had the right to wear cloth of gold at the coronation. Piers, however, decided to show up in purple silk, essentially claiming status on par with Isabella and Edward. He also proceeded Isabella and Edward in the procession, and was given several other prestigious duties during the ceremony. This infuriated Edward's nobles, as Piers was, outside of his flashy new titles, not particularly blue-blooded.

The real insults came at the banquet succeeding the coronation. Edward had been given substantial sums of money by the French for the coronation, and had spent it on lavish tapestries displaying the arms of himself and Gaveston. Edward took several of the jewels and wedding presents meant for Isabella, and gave them to Gaveston, and spent much of the evening with his husband favorite, instead of with his new bride. The French delegation was outraged, and Isabella wrote to her father that she felt like a nonentity in her own marriage.

For the first few years of her marriage, Isabella had very little political power, and much of the drama and intrigue of this time concerns Edward and Piers. Edward burned through goodwill and money quickly, and had alienated his nobility not long after his coronation. His continued indulgence and promotion of Gavestone, as well as his neglect of the kingdom and ineffectual warring with the Scots, led his barons to draw up the Ordinances of 1311, which severely curtailed his powers. He was forced to banish Gaveston multiple times, but always managed to recall him at a later date. Isabella more or less was dragged along with them, with very little power of her own. However, everything changed when Isabella turned sixteen.

There was no formal agreement about what age Isabella had to reach before she and Edward would consummate their marriage, but even in Medieval times it was generally agreed upon that getting pregnant at twelve was sheer dangerous idiocy. Getting pregnant at sixteen, however, was merely dangerous. Consequently, Isabella was pregnant by 1312.

Map of the British Isles in 1300. Not
included are the Plantagenet lands in
southern France.

Now, at this time Edward and Gaveston were in the middle of yet another one of their power struggles with the English aristocracy. Gaveston had been exiled again in 1311, and his return to England had ruffled more than a few feathers. Additionally, the Scots were feeling frisky again, and they were making war in Northern England.

Unfortunately, Northern England was where Isabella was, and her husband's war making was so incompetent, that she soon found herself in danger. Edward marched south with his army, leaving Isabella with scant protection from the advancing Scots.

Isabella and Edward both made it safely back to London, but Gaveston was not as fortunate. He had been trapped in Scarborough Castle by his enemies, and executed, leaving Edward bitter and heartbroken. On November 13th Isabella's first child, the future Edward III, was born.

The next four years would be the happiest of Edward and Isabella's marriage. Two of their four living children--John and Eleanor--were born during this period. During this time Edward put significant efforts into repairing his relationships with his subjects, enacting reforms and reassigning lands that had been unfairly given to Gavestone. Edward seemed contrite, and for a time England enjoyed a brittle peace. However, things grew uneasy as another royal boyfriend favorite rose over the horizon.

The Despenser family were related to Edward, and Hugh Despenser the Younger (Hereafter known as 'Horny Hugh') was technically Edward's nephew. In 1318, Horny Hugh was made Edward's royal chamberlain. Horny Hugh Despenser and his father, Hugh Despenser, both had political ambitions. Unlike Gavestone, who was content to be a wealthy, lowborn, nuisance, Horny Hugh wanted to rule. He was given large swathes of the marchlands, angering the Marcherlords³ to whom the land rightfully belonged.

Furthermore, Horny Hugh and Isabella didn't like each other. It's unknown what sort of relationship Isabella had had with Gavestone, but given that Isabella was little more than a child during Gavestone's tenure as royal husband favorite, it seems likely that they didn't have much of a relationship at all.

However, with Horny Hugh, things were different. Isabella was becoming a political person in her own right, and she was painfully aware that Horny Hugh and the Despensers elevation insulted her, her French family, and the realm. She was frequently called upon by the barons to curb the king's worst impulses, and her and Edward's relationship grew increasingly tense. In 1322 Edward asked Isabella to swear an oath of loyalty to the Despensers. When she refused, he took away her lands, and gave custody of their two youngest children--Eleanor and Joan--to Horny Hugh.

Meanwhile, Isabella's brother Charles had become King of France, and he was eyeing Gascony with increasing amounts of lust. Squabbles started popping up in the region, and despite multiple attempts at diplomacy, including sending Edward and Isabella's eldest son to France, war seemed inevitable. In 1325, Edward decided to send Isabella to intercede.

Once back in France, Isabella had very little reason to be loyal to Edward. He had taken her children, confiscated her lands, and reduced her to little more than a pauper. She had been insulted and humiliated for seventeen years, and she was done. Safe at her brother's court in Paris, Isabella declared her contempt for her husband and the Despensers. She took up the garb of a widow, saying, essentially, that her husband was dead to her, and that she considered him unfit for the office he held. With the help of her cousins in the Lowlands, Isabella began plotting to remove Edward from the son in favor of their eldest son.

Roger speaking with Isabella on a battlefield

Enter Roger Mortimer. He was a young, handsome nobleman with vast estates in Wales and Ireland. He had been exiled from England for his political policies of attempting to overthrow the Despensers, and he had a thirst for vengeance. He and Isabella had met many times before, as Mortimer had been a regular at court, but with Isabella in widow weeds, and Mortimer driven from his home, something had changed. They began to plot together, and that plotting soon moved to the bedchamber, where it is widely assumed that they began plotting Edward's overthrow in a horizontal position.

Roger and Isabella's relationship is an interesting one. It is quite obvious that she was very enamored of him. She was permissive of his bad behavior far beyond what someone using him as a means to an end would have been. However, it is difficult to ascertain Mortimer's feelings. While they had some things in common--love of art, love of Arthurian Romance--he frequently disregarded her wishes concerning their plot, and later the running of the country. After attaining the regency, he used her to gain vast lands and wealth. This may be constructed just as him being the typical medieval man, but there was also the fact that Mortimer was already married to a woman it was widely rumored to be in love with. However, he and his wife had been separated for three years, and it was possible that his ardor towards his wife had cooled, and he truly had feelings for Isabella.

Though they were nowhere near as open about it as Edward and his husbands favorites, it soon became common knowledge that Isabella and Mortimer were lovers. This enraged Edward, who swore that if he saw Isabella again he would kill her. Because of her adultery, Isabella's brother refused to help her with her coup.⁴ Luckily, Isabella's cousins in Hainault⁵ held no such compunctions, and gave them ships and Dutch mercenaries to begin their invasion.

Berkeley Castle, where Edward died.

Isabella and Mortimer landed in Suffolk in September of 1326. Edward's few allies quickly abandoned him, and England was taken with almost no bloodshed. Horny Hugh was hanged, drawn, and quartered, and Edward was deposed and imprisoned in Berkeley Castle. Isabella and Edward's eldest son, Edward (hereafter referred to as 'Baby Edward'), was placed on the throne.

As Baby Edward was only fourteen, a regency was necessary. As queen, this position was granted to Isabella, and she, along with Mortimer, would serve as regents for about four years.

About a year into their regency, Isabella and Mortimer decided to deal with the problem of the old king. Despite imprisoning him in a dank dungeon, and throwing dead animals and rotting corpses into his cell in hopes he would die of disease, Edward stubbornly remained alive. He remained a rallying point for those who opposed Isabella and Mortimer, and in September of 1327, he mysteriously died.

There are a few stories about how Edward died. Least gruesome is that he was smothered in his sleep. Most popular is that a flaming hot poker was inserted into his anus, and run through his entrails. There are some stories as well that claim he didn't die, but instead escaped, and fled to Italy to live out the rest of his life as a monk.⁶ While neither Isabella nor Mortimer confessed to having ordered or committed the murders, it is widely assumed that they at the very least signed off on the order.

Unfortunately, their regency wasn't entirely popular. Isabella herself remained widely respected, it was Mortimer who was the problem. Like all of the other husbands favorites in Isabella's story, Mortimer was greedy and grasping; sending England to the brink of bankruptcy to enrich himself. He was very unpopular, and Baby Edward grew resentful.

In 1330 Edward had had enough. With support of Henry of Lancaster, Edward staged a dramatic midnight coup, taking a secret passage into the castle where his mother and Mortimer were living, pinning them and their advisors in an enclosed chamber, forcing them to abdicate. Mortimer was hanged a short while later, while Isabella was placed under house arrest.

Baby Edward

There were several people who called for Isabella's execution, but Edward declined, instead spinning the narrative that she was innocent in the affair, and that the blame rested squarely with Mortimer. Her lands were seized, and she was pensioned off, placed under house arrest at Castle Rising in the Norfolk countryside where she couldn't cause any more problems.

The last years of Isabella's life saw her growing closer to her family, and finding religion. Her daughter, Joan, came to live with her after leaving her husband, and Isabella doted ceaselessly on her grandchildren. Towards the end of her life, she and Baby Edward reconciled. She became a nun in 1358, and died shortly after.

Looking at her life, it can be difficult to determine if Isabella was a plotting villainess or a woman making bloody, bloody lemonade. It is apparent that she struggled for much of her life to become an active agent in her own fate, and was met with mixed success. Today she is mostly forgotten, lost in the blinding glare of her son, Edward III, who is frequently touted as being England's greatest king. However, she should be remembered as a brilliant queen and stateswoman in her own right, who was instrumental in ensuring stability in England, even if she had to do it by force.



¹The title was borrowed from Shakespeare's play Henry IV, Part III. The original title referred to Margaret of Anjou, but has since become a byname for Isabella.
²This caused a major scandal, because the Earldom of Cornwall was then, and now, a royal title. (It's currently held as an auxiliary title of Prince Charles.) While Cornwall is no longer an Earldom but a Dukedom, it is still considered to be the right of the first born son of the monarch.
³A Marcherlord was a nobleman with holdings along the border with Wales, who was expected to defend the border.
⁴Adultery was a major crime for a Medieval noblewoman. Charles' first wife had committed adultery, and Charles had had her lovers beaten to death in a public square. It is unsurprising that he was less than permissive about his sister's liaison with Roger Mortimer.
⁵The aforementioned Lowland cousin. Coincidentally, this same cousin, Joan of Hainault, was responsible for throwing Isabella and Mortimer together.
⁶This story was later used to support the causes of people who would rebel against Baby Edward.

Sources
The Plantagenets by Dan Jones
Queen Isabella: Treachery, Adultery, and Murder in Medieval England by Alison Weir
She-Wolves: The Women Who Ruled England Before Elizabeth by Helen Castor
Isabella, the 'She-Wolf of France'
Edward II Marries Isabella of France
Isabella of France: Queen of England
Isabella of France
Edward II: King of England
Edward II:1307-1327
Edward II (1284-1327)
Edward II:1307-1327 AD
Piers Gaveston, Hugh Despenser, and the Downfall of Edward II
Roger Mortimer
Edward III

Harvey Milk

Along with Marsha P. Johnson and Sylvia Rivera, Harvey Milk is one of the most iconic and influential American LGBT leaders. Politically active from 1973-1978, Milk was one of the first openly gay political leaders, and pushed for both political and community reforms in San Francisco and California.

Harvey Milk

Milk was born May 22, 1930 to Minerva and William Milk in Woodmere, New York. Though he knew he was gay from a young age, he stayed quiet about it until adulthood. He was a popular, well liked athlete in high school, and participated in school operas.

Harvey attended New York State College for Teachers, graduating in 1951, and moving on to attend Officer Candidate School after enlisting in the US Navy. He was subsequently stationed in San Diego, serving as a diving instructor on the U.S.S. Kittiwake. He achieved the rank of junior lieutenant before his discharge in 1955.

There is some debate about the nature of Milk's discharge. Milk stated that he was dishonorably discharged after being questioned about his sexuality, but the U.S. Navy records reflect that Milk was honorably discharged. It is difficult to ascertain which party is telling the truth, as both parties have a reasonable reason to lie--Milk to give depth to his political agenda, the Navy to avoid the embarrassment of having mistreated a man who would later become an international hero. It is worth noting, however, that Milk's discharge was during the height of the Lavender Scare, which gives credence to his story.

After leaving the military Milk worked as a high school teacher for a few years before going to work as a financial analyst. Milk enjoyed a stable career in finance until 1970 when he left to become a production assistant for Broadway musicals. Milk's credits include Jesus Christ Superstar, and Hair.

Milk in front of Castro Camera, 1973

In 1972 Harvey moved to San Francisco with his lover, and opened a camera shop in the Castro district, and area of San Francisco known for it's LGBT population and liberal politics.

Milk soon became a staple of Castro political life. His store--Castro Camera--was a gathering place for LGBT people. In 1973, shortly after moving to the Castro Milk declared his candidacy for City Supervisor, spurred on by a heavy tax on small businesses and the Watergate Scandal. Though he lost the campaign he gained recognition as a popular politician, and began to gather more political support.

Supporting small businesses as well as LGBT rights would become a focus of Milk's for the next few years. In 1974 he founded the Castro Street Fair--an event devoted to bringing commercial activity to the Castro. He worked with local businesses to revitalize the Castro Village Association, and convinced local bars to stop selling certain brands of beer during a Teamster's Strike, in exchange for the teamsters hiring more gay and lesbian drivers.

Milk ran again and lost in 1975. By this time he was the leader of the Castro gay community, fondly known as 'The Mayor of Castro Street'. His civic activities brought him to the notice of mayor George Moscone, who appointed him to the city permit's appeals board. Harvey served in this position for a few weeks before leaving to run for California State Assembly, a race he would end up losing.

The Castro lies in the heart of San Francisco

Realizing that he needed to rely on his voter base in the Castro, Milk worked with Anne Kronenberg, and George Moscone to revise the city laws so that supervisors would be elected by the people in their specific district, rather than the city as a whole. The passing of this amendment meant that when Harvey ran for city supervisor again in 1977, he won easily.

Harvey's election was met with joy from liberals, and angry grumbles from conservatives. Once in office, Milk proved a dedication to serving all the minority groups of San Francisco, not just the LGBT community. He established free daycare services for working mothers, and had abandoned military facilities converted into low cost housing. He reformed the tax code to benefit small businesses, and worked on measures protecting LGBT people from discrimination in housing and employment.

Though he was universally loved in the Castro, and generally admired across the United States, Milk received death threats almost daily. Unfortunately on November 27, 1978, Dan White--a former colleague of Harvey's--carried through on that threat, assassinating both Milk and Mayor Mascone.

Today, Milk is remembered as a legendary activist, and a great politician. Though he was only in office for a short time, he was able to pass a great deal of reforms which still benefit the people of California today.

On a wider scale, Milk is an inspiration for LGBT people around the world. His belief that homosexuals needed to come out of the closet to fight for greater rights and understanding has inspired LGBT people around the world to speak out, and follow in his example.

Sources
Harvey Milk-Activist (1930-1978)
Harvey Milk
Harvey Milk, American Politician and Activist
Harvey Milk Biography
The Official Harvey Milk Biography