Showing posts with label 17th century. Show all posts
Showing posts with label 17th century. Show all posts

Wednesday, September 25, 2019

Morris Dance

Morris Dance is a type of English folk dance of mysterious origins. It was (and is) most frequently practiced through the midlands and in the counties along the Welsh border, but it has connections to folk dances throughout Western Europe. Morris dance is characterized by energetic stepping and skipping, as well as the use of bells, handkerchiefs, sticks, swords, and the occasional beast.

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Morris dancer and musician.
The first reference to Morris style dance comes from the wedding of Raymond Berengar, Duke of Barcelona, and Petronilla of Aragon in 1149. There are further references to continental Morris dances being adopted into church ceremonies and being performed at court events throughout the Middle Ages. It is very likely that these dances were being performed in England at the same time as well, as Morris dance was considered ancient by the Elizabethans.

The earliest mention of Morris dance in England dates from 1448, when a tapestry depicting Morris dancers was recorded in an inventory of Caister Castle. That same year, a troupe of Morris dancers were paid seven shillings by the Goldsmiths Guild for a St. Dunstan Day performance.  There are several other records of Morris dancers appearing on objects, and being paid for performances throughout the fifteenth and sixteenth centuries.¹

The name "Morris" is generally seen to be as a corruption of the Spanish word "Morisco," referring to the Arabs who occupied Southern Europe throughout much of the Middle Ages. This has led many historians to assume that Morris dancing has its roots in the traditional dance of the Moriscos. However, as Morris dance bears minimal resemblance to Moorish traditional dance this theory has been discarded by modern historians.

Additionally, the name "Moorish" was a fashionable appendage to any art considered even a little bit foreign. New music, dances, and clothing styles were labeled as "Moorish," relationship to Middle Eastern culture or not. It seems most likely to this historian that the name "Morris" was given to the dance at a later date, perhaps as a way to further distance the dance from its pagan origins.

This brings us to the probably pagan origins of Morris dance. It is likely that Morris dance existed long before the Arabs made it to Europe, and instead evolved from pagan traditions. Many dances tell the stories of a battle against nature, and dances were performed on days that were culturally significant to pagans, such as the beginning of summer and the middle of winter. In addition, the appearances of hobbyhorses and the occasional dragon or unicorn also hint at a pagan past, as these animals could be seen as a focus of worship. Outside of England in Brittany some small churches had a festival specially dedicated to the hobbyhorse, where the horse was adorned with flowers and paraded around the town. Though this was a supposedly Christian festival, it certainly seems more pagan to outside observers.
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Hobby Horses at the 2018 Banbury Folk and Hobby Horse
Festival
The Morris dance of the Middle Ages can be split into two styles--Court Morris and Folk Morris. Morris dancing was very popular in the Tudor courts, with records of it having been performed in the courts of Henry VII and Henry VIII. Court Morris was an elaborate affair with expensive costumes and elaborate sets. The line between Morris and mumming is a thin one at best, but it was especially thin in these court dances with their elaborate costuming and pageantry.² Court Morris flourished until Oliver Cromwell and the Puritans took power in 1649.

Opposed to dancing, drinking, and anything resembling a good time, Cromwell suppressed Morris dance into near extinction. However, the tradition survived. Morris dance resurfaced in the countryside after the restoration of the English monarchy. Morris dancing had fallen out of favor with the nobility, but it was adopted by the commoners. The common people couldn't afford the same elaborate costuming as the nobility, but they used ribbons, bells, flowers and colorful rags to add to their appearance. The modern Morris costume evolved from their imitations.

However, as Britain industrialized the dance began to fall out of style. Many young men moved to the factory towns, and were disinclined to continue Morris dancing. Early twentieth-century Morris dancers lamented that the younger generation was too proud to continue the  tradition, because it was too much like begging. These young men might have changed their minds as time wore on, but unfortunately, many of those young men lost their lives in World War I.

Morris dance may have been lost to time had it not been carefully documented by the ethnochoreologist and ethnomusicologist Cecil Sharp. Sharp traveled England collecting folk dances and published several works on the subject. Sharp's books revived interest in Morris dance, and Morris began to be taught (and tested) in some English schools.

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A group of Morris dancers is called a side. Historically, Morris sides were exclusively male, but that is no longer the case. While a side can, hypothetically, consist of an infinite number of dancers, most have less than twenty, including the band. Most dances have only six to eight dancers on the floor at a time.

Traditional sides are led by a Squire who arranges performances and is generally the man in charge. Under him is the Foreman or Captain who teaches the dances. Last on the leadership hierarchy is the Bagman, who serves as a secretary. Under them are the dancers, and the occasional Fool or Beast.

Beasts are Morris characters that add to the story of the dance. Common beasts are hobbyhorses, dragons, and unicorns. It can be difficult for Beasts to dance with the same nimbleness as the other dancers due to their cumbersome costume, but that doesn't stop many from trying. Hobbyhorses are the most common type of Beasts in modern practice.

There are six main styles of Morris dance still practiced in England today: Cotswold, Molly, Border, Northwest Clog, Longsword, and Rapper. While all are related, each style has a unique flavor and tradition.

Border 

Quite possibly the oldest Morris tradition, Border Morris originated in the counties near the Welsh border, and, while simpler than Cotswold style, it is much more lively. It must be noted that, while it is sometimes called "Welsh Border Morris," Border Morris is an English dance and has little to do with Welsh folk dance traditions. Many border style dances have "fight sequences" choreographed into them. Historically these might have been done with actual swords, but they have been done with sticks or wooden swords since at least the 1800s.

Border Morris traditionally made an appearance in the winter, where men would dance for extra money when they couldn't farm or fish. This was considered a form of begging and was thus illegal, so dancers darkened their faces to avoid arrest. Dancers wore a rag coat, a tailcoat, women's clothing, or any other bits and bobs lying around. The main purpose of Border costume is to look eccentric. Border sides generally have a bigger band than other styles and are accompanied by a vigorous percussion section.

Cotswold 

The most commonly performed style, Cotswold Morris originated in the South Midlands, particularly the counties of Gloucestershire, Oxfordshire, Northamptonshire, and Warwickshire. Cotswold style survived the most intact after the Cromwell persecutions because of its location in the heart of royalist territory, and it was documented extensively by Cecil Sharp.

Cotswold dances are usually performed with six or eight dancers, and dancers generally wear white shirts with black or white pants. In addition to the dancers, there may also be a Fool, a Beast, or a cake impaled on a sword. Cotswold is notable for it's use of bells, or ruggles, attached beneath the knee of each dancer. Cotswold dancers may also wave handkerchiefs, bang sticks, or clap hands. Cotswold is traditionally performed around Whitsunday.

Longsword 

Also called "hilt and point," Longsword Morris comes from Yorkshire, and is, as expected, danced with swords.³ Longsword dances are performed with six to eight dancers, with each dancer holding on to their own sword, as well as the end of their neighbor's sword to make a circle. Swords are, thankfully, blunt and around a meter long. During a Longsword dance, dancers weave between the swords, and end the dance by creating a star. Longsword, as well as the closely related Rapper, is most commonly performed during Christmas and New Year's.


Molly 

Molly dance is unique in that it was less choreographed and organized than other types of Morris dance. Molly was traditionally performed as a part of the Plough Monday celebrations. Plough Monday, which takes place on the first Monday of January, was a day when ploughboys would drag a plough to the more affluent homes in the village and demand payment in money or food from the homeowners. If the ploughboys weren't satisfied with their payment, they would cut a long furrow through the homeowner's front lawn or doorstep.

Needless to say, Plough Monday was raucous at the best of times. Dancing accompanied the ceremonial shake-downs, and often random passersby would join in. Some male dancers would don women's clothing for the celebration, which gives the dance style its name ("Molly" being the contemporary pejorative for a man who wore women's clothing and male homosexuals). If not wearing petticoats, dancers wore whatever was closest to hand, and used black face paint to hide their identities--a necessity when committing property damage. Like most Morris dances, the origins of Molly are unclear, and there are no references to Molly dancing until the 1800s. Molly hasn't enjoyed the same revival as Border and Cotswold style, and traditional Plough Monday celebrations definitely aren't allowed anymore, but Molly dancing does accompany the "Straw Bear Festival" of Whittlesea, which occurs the weekend after Plough Monday.

Northwest Clog 

Not to be confused with its Appalachian counterpart, Northwest Clog originated in the industrial towns of Cheshire, Lancashire, and West Yorkshire and came of age during the industrial revolution. As people from rural communities moved to manufacturing centers, they brought their Morris traditions with them, and a new dance tradition that imitated the machinery they worked with was formed.


Northwest Clog dances are danced in multiples of four, and traditionally the dancers wore colorful clothing, along with the heavy clogs they used in their factory work. Modern dancers wear clogs with iron taps on the toe and heel. Dancers also sometimes use sticks or slings and are led by a conductor, who uses a whistle to signal changes in the dance figure. Northwest Clog is traditionally performed during the annual rushbearing, which happens in the summertime.⁴

Rapper

By far the most athletic of the Morris styles, Rapper dance hails from Durham and Northumberland. There are five dancers who are occasionally joined by the characters of Tom and Betty, who lead the dance. Dancers make use of "rappers," which are basically bendy swords with wooden handles on each end. This is the fastest of the Morris dances and, like Longsword, features dancers weaving between rappers and using their swords to create pictures. Rapper style also occasionally features backflips. Dancers wear hard-sole shoes and white shirts with black pants. Rapper dancers are traditionally performed during Christmas and New Year's.


It would be remiss of this historian to write about Morris dance but not talk about the live music that often accompanies the dancers. Morris bands utilize traditional instruments (concertina, fiddle, melodian, accordion, pipes, tabor) and are percussion driven. Bands can range in size from a single musician to tens of people, depending on the style of dance and the preference of the side. Musicians often dress to match the dancers and are an integral part of the performance.

Morris dancing, particularly Border Style and Molly Dance Morris, have met with controversy in recent years due to the fact that many Morris sides include black face paint as a part of their costume. The tradition of dancers blackening their faces has dozens of explanations dating from different eras, but some of the most common are:

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Morris Men dressed in traditional Cotswold
style costume.
  • Morris dancers in the Early Middle Ages blackened their faces because they were performing an ancient rite and needed to be disguised for this.
  • Faces were blackened to imitate Moors during dances, which often told the tale of a Moorish vs. Christian battle.
  • Dancers blackened their faces to hide their identities from the police because it was illegal to dance on public holidays.
  • Morris dancing was often accompanied by a certain amount of criminal mischief, and dancers didn't want to be arrested.
  • Morris dancers were shy. (No, seriously.)
  • During the Industrial Revolution, many factory men had to supplement their income through dancing. They would wear face paint so their bosses didn't know about their side hustle.
  • It's tradition, and face blackening helps the dancer get more into the dancing mood and feel less inhibited.
  • It's a way of remembering the oppressive policies of the 1700s that disenfranchised the working class.
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Morris dance is also occasionally accompanied by a brass
band or wind ensemble, but a traditional band is more
popular.
It seems likely that the reason for using face paint during Morris dances has changed throughout the ages, and there is no definitive reason for it. It must be mentioned, however, that wearing blackface in Morris dance predates the practice of wearing blackface in American minstrel shows. All the same, many Morris sides have abandoned the practice and either leave their faces bare or paint them a different color.

During its long history, Morris dance has transitioned from being an important pagan ritual, to being a way of making money, into a lighthearted celebration of English culture. Morris has evolved over the years, and undoubtedly will continue to do so, proving that culture and tradition are mutable.


¹One of the more colorful stories about Morris Dance from this era is that of the actor Will Kemp, who bet a friend that he could Morris dance from London to Norwich before the end of Lent. In a feat that would come to be known as his "Nine Day Wonder," Kemp danced the more than 100 miles between the two cities. While the entire journey took more than nine days, he did win his bet. While not the inspiration for, it is definitely reminiscent of Tony Hawks who, in the 1990s hitchhiked around the circumference of Ireland with a mini-fridge, also on a bet.
² The line was even thinner outside of England in Spain, where Morris dances often portrayed a battle between Christians and Muslims with the Christians emerging triumphant.
³Longsword Morris dance shouldn't be confused with Scottish Longsword dance, where the swords are placed on the ground.
⁴Unlike other Morris dances, Northwest Clog has always been a co-ed affair. Traditionally only men were allowed to Morris dance, but by the time Northwest Clog developed, this was no longer the case. While many Morris sides are mixed today, Northwest is the only style of Morris in which men and women dancing together has always been the norm.

This article was edited by Mara Kellogg.


Sources

"Morris and Morisca" by Violet Alford
"Some Other Hobby Horses" by Violet Alford
"Early Record of the Morris in England" by Lucile Armstrong and Barbara Lowe
"The Origins of the Morris Dance" by Rodney Gallop
"The Abram Morris Dance" by Maud Karpeles
"Some Notes on the Morris Dance" by Cecil J. Sharp
"The Earliest Reference to the Morris Dance?" by Michael Heaney

Tuesday, April 23, 2019

Cleaning House-Peter the Great and Reforming Russia

Peter the Great served as the autocratic czar of Russia for more than 43 years. He inherited a medieval kingdom, and over the course of his reign dragged it kicking and screaming into the seventeenth century. He changed Russia on every level--religiously, culturally, administratively, militarily--and paved the way for the great reforming czars and czarinas of the eighteenth and nineteenth century, including our old friend, Catherine the Great.

Born Pyotr Alekseyevich in June of 1672, Peter ascended to the co-czardom at the age of ten. He was the son of Emperor Alexis and his second wife, Natalya Kirillovna Naryshkina. Alexis's heirs by his first wife were sickly and unfit to rule, but both were propped up by their sister, Sophia Alekseyevna, who served as regent until 1688.

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Peter the Great: 1672-1725
During this time, Peter and his mother were sent off to the village of Preobrazhenskoye, far from the center of power in Moscow.¹ Preobrazhenskoye was close to a German enclave, allowing Peter to be in contact with Westerners. It was in Preobrazhenskoye that Peter started to gain an interest in all that western Europe had to offer and to plot reform.

Russia, at the time, was a backwards and medieval nightmare. Strictly isolated from the rest of Europe, it still hadn't adopted the new technologies of ships and the Julian calendar. People dressed much the same as they had for hundreds of years, and the power of the country was in the hands of the boyars, or petty princes. The Russian economy relied on agriculture, which wasn't ideal for a country with such harsh winters. Compared to the rest of Europe, Russia was a dilapidated cesspit, and Peter wanted to change that.

However, to turn Russia around, Peter needed to educate the Russians, starting with himself. In 1697 he set out with 250 of his closest friends for the rest of Europe. Peter traveled incognito as one Sergeant Pyotr Mikhaylov. Peter used his relative anonymity to study shipbuilding in the Netherlands and to tour factories, schools, arsenals, museums, and Parliament. They trashed hotel rooms and hired master craftsmen to go back and work in Russia. Peter would have gladly extended his embassy, but in 1698 a rebellion broke out back home, and Peter reluctantly returned.

His visit to the rest of Europe made Peter even more eager to reform Russia, which he did, undertaking a reform process that would overhaul Russian society from top to bottom. This reform process would take Peter's entire lifetime, but to break it into easily listable paragraphs:

Military 

One of Peter's most urgent goals was obtaining more ports for Russia--ports on the White, Baltic, and Caspian Seas. Russia didn't have a lot of ports, and thus had no way to efficiently export Russian goods. While Peter did have his ports on the Pacific, the eastern part of Russia was mostly unoccupied. His one western port was very northerly and spent much of the year frozen over. To gain the western ports he desperately craved, Peter needed to do some conquering, which meant dealing with the formidable Swedish and Ottoman Empires.

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Peter was obsessed with ships from a young age. He built
a small fleet at his home in Preobrazhenskoye, which
came to be known as his 'toy navy'
Firstly, Peter set about obtaining a larger fighting force. Military service was extended to last a lifetime, and serfs were press-ganged into service. He imported export shipwrights from England and the Netherlands and set them to work building him a navy. They constructed a vast fleet in a short amount of time, and by 1703, Peter had a formidable seafaring force, equipped with all the latest technology, like steering wheels.

Because of his navy, Peter was finally able to hold his own on the world stage. He was finally able to kick out the Swedes and continue the proud Russian tradition of invading Ukraine. He took on the formidable Ottomans and won, gaining both the ports he took and a bit of Iran in the process.

Church

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Patriarch Adrian, the last patriarch until the
Patriarchy of Moscow and All Russia was restored
in 1917. There is still a patriarch, and, as of 2019
the holder of that office is Patriarch Kirill
Like Henry VIII before him, Peter wanted to take the clergy down a peg or five. In another example of Russia's medieval-ness, the Russian Orthodox Church still exercised an outsized amount of power, including over the czar. Many clerics were resistant to Peter's reforms and were leading voices of dissent. In order to get these uppity churchmen under control, Peter refused to appoint a new patriarch²  after Patriarch Adrian died in 1700. Instead, Peter appointed a "custodian to the throne of the patriarch," or an acting patriarch, who was counseled by a group of bishops. The custodian was later replaced by the Holy Synod, a group of churchmen who ruled the church under the authority of the czar.

As might be imagined, this wasn't a hugely popular move, especially among the churchmen. Monks in particular didn't like the changes, as it meant that they lost political power and monasterial lands. To quash this rebellion, Peter forbade monks to have pen and paper and started to bring in loyal churchmen from Ukraine to outnumber the dissenters.
Peter also set about educating the clergy, many of whom were practically illiterate. Every priest was required to attend a seminary where they learned Latin and Greek and were deeply immersed in church doctrine. This was successful in that it resulted in a better educated clergy, but this series of study neglected to teach the vernacular Russian and Church Slavonic, which made it difficult for clergy to communicate with their flock.

Culture

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Typical clothing of a pre-Peter the Great
boyar.
Not content to Westernize institutions and commerce, Peter imposed a series of laws that westernized the behaviors of the Russian people. Traditional Russian clothing was forbidden, and the nobility were required to wear French court dress. Noblemen were no longer allowed to have beards, and Peter would cut them off personally. To wear a beard or non-Western clothing would mean incurring a fine of 100 rubles³. Cultural customs were also taxed, and traditional activities like fishing and beekeeping were subject to a tax⁴.

Banning beards in particular was quite an inflammatory act. Beards were a religious thing for Russian men, and it was thought that a man without a beard was naked. By forcing men to be clean-shaven and to wear cold and impractical French style clothing, Peter was stripping away their old Russian identity.

Education

Peter was determined to have an educated populace, and to do this he secularized the school system, allowed the middle classes to attend schools (so long as they entered civil service), and founded several institutions of higher education. Like Caliph al-Ma'mun, he oversaw the translation of many Western books into Russian and encouraged his citizens to study abroad--whether they wanted to or not.

By wresting the schools away from the church, Peter strengthened his control over his people. After he appointed the Holy Synod, Russians were taught to fear the czar across the pulpit, but with state-controlled schools, Peter could teach it in schools too. Opening schools to middle-class children ensured that Peter would have a talented bureaucracy to run the swollen Russian Empire, something that would be very important when Peter changed the administrative boundaries of the country.

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Peter moved the capital from Moscow to St. Petersburg,
a European style city he had built near the Baltic.
A fan of higher education, Peter allowed (and forced) middle-class and noble boys to attend school in Europe proper. Like with the members of his Grand Embassy, these young men were expected to come back and use their skills for the benefit of Russia. However, Peter didn't neglect the native Russian institutes of learning. He established artillery and language schools in Moscow and St. Petersburg, along with colleges devoted to science. A short list of the institutions founded by Peter include:
  • School of Navigation and Math (1701)
  • School of Medicine (1707)
  • School of Engineering (1712)
  • School of Science (1724)
While education still wasn't open to girls or to the peasantry, Peter set Russia on the road to becoming an educated and enlightened nation.

Commerce 

One of the downsides to all of Peter's reforms was that they were expensive. After all, you can't get state-of-the-art naval vessels and a palatial European city at the Dollar Tree--it takes some serious capital. To get that capital, the tax system had to be changed.

Previously, Russia had operated on a "Hearth Tax" system, where the peasantry was taxed by the household. No matter how many people lived in the home, they paid the same flat rate. To avoid paying more tax, peasants would often move in together. In 1680, Peter introduced the "Poll Tax," a system that taxed each adult member of the household individually, no matter how many people lived there. Not only did this give Peter some of the capital he needed, but it also allowed him to gain the favor of his nobility by lowering their taxes.
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Peter the Great on 2 ruble coins.
However, not all of the expenses could be defrayed by taxes. After all, you can't get universities and top-notch cannons at the Dollar General. Peter picked up the rest of the slack by introducing high tariffs on imports, and creating state monopolies around salt, vodka, oak, and tar. Under this, Peter controlled the prices of Russia's most popular goods and encouraged people to buy products made in their own country. He also made sure revenues from those products went to the states, as merchants weren't allowed to buy goods from manufacturers until after the Russian government had had their pick. If there was any surplus after the government picked out the choicest goods, merchants could sell those, but it wasn't a good business model. Peter's policies ensured that not only would his citizens buy Russian, but that the profit from their purchases would go to the state.

Administrative Districts

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The areas in brown, purple, and red show the size of Russia
around the years of Peter's reign.
Because of its size, administering Russia was no small feat. Then, as now, Russia was the largest country on Earth in terms of land area. The population was heavily concentrated in the west of the country, leaving the east and frigid north sparsely populated. Prior to Peter, the Russian administration system was incompetent and antiquated. To change that, in 1708 Peter divided the country into eight governorates, who were ruled over by a royal governor and the Landrats, or eight to twelve civil servants assigned to help the governor. The governorates were later scratched, and the country was broken up into 50 provinces in 1719. Those provinces were later subdivided into districts.
Peter wasn't just interested in redrawing lines on a map. Under Russian law, towns were subject to rule from the military and local lords. Peter loosened the rules, and while towns were still subordinate to Moscow, they were allowed to elect their own leaders.

Class

Perhaps the biggest changes that Peter made during his reign were changes to the class system of Russia. He hit every level of society with a series of reforms that ensured that the Russian people would be more tightly under his control and loyal to him. 

Peasantry

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Serfs were allowed to continue to wear their traditional
clothing, but became even more firmly the property of
their lords.
Life did not get better for the peasantry under Peter--it got much worse. In addition to imposing harsher taxes, Peter also made it more difficult for serfs to leave their homes, essentially reducing them to slaves. Serfs had no rights and could be press-ganged into military service or municipal building projects at any time. Between 30,000 and 100,000 serfs died building St. Petersburg alone. 
Peter, like every other czar, saw the peasantry not as actual people but as another resource to be exploited. His treatment of the Russian serfs is damning and stains an otherwise brilliant career. It is for this that it's difficult to wholeheartedly support Peter the Great, and it's what makes him such a controversial figure.

Towns

For the middle classes, laws were enacted that said that any person in trade could settle in whatever town they wished, so long as they informed the proper authorities that they were there. Tradesmen were no longer tied to the land like serfs, and this allowed the spread of skilled manufacturing across Russia. 
Additionally, to structure town society, townspeople were put into one of two guilds: the regulars or the commons. The regulars were the skilled craftspeople and merchants who were their own bosses. They had rights to move around as they wished and be appointed to governing bodies. People who worked as hired labor were relegated to the commons, and they were little better than serfs.

Nobility

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A page from the Table of Ranks
In 1722, Peter introduced his Table of Ranks, which was a list of every rank of nobility, court, military and government. This table was essentially a how-to guide to gaining higher positions, and, theoretically, anyone (anyone being anyone noble) could work their way up by providing the required civil or military services. While some levels had to be approved by the czar himself, all ranks were achieved by service.
There were, of course, a few exceptions, mainly relating to the czar's immediate family, and once a person reached the eighth rank, their title did become hereditary. However, by doing this Peter deputized the idle rich into helping him run the country.

Government

As part of his efforts to bring Russia under an autocratic regime, Peter had to contend with the boyars and the Duma. The Duma⁵ was a collection of noblemen, civil servants, and wealthy landowners whose job it was to advise the king. In theory anyways. By the time Peter came around the Duma was a formidable governing body that controlled governance on every level. They stood between Peter and his goal of complete control, so in 1711 he dissolved the Duma and instead created a Senate. The senate had ten men, all of whom had been appointed by Peter personally and could not resign without an imperial decree. Some were noblemen, but there were also churchmen, scholars, and businessmen. 

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Peter the Great statue in St. Petersburg. This statue was
erected by Catherine the Great.
On the lower levels of public service, bureaucratic ranks became non-hereditary, meaning that to hold a job in public service, one had to be qualified. This also meant that any ambitious fellow with an education could technically work their way up to the senate. These bureaucrats displaced the boyars, and remained in power until 1917.

Make no mistake--Peter the Great isn't the fluffy bunny sort of guy you can feel comfortable having as a role model. He received plenty of pushback during his life, and anyone with a conscience is still side-eyeing him now. However, his determination to drag Russia kicking and screaming overall did the country a lot of good, even as it quashed individual freedoms. Peter was, out of all of the Romanovs and those that came before them, the most farsighted of Russia's monarchs, and his reforms, however brutally undertaken, ultimately changed Russia for the better.


¹While Preobrazhenskoye is now a part of Moscow, during Peter's time it was a prosperous, mid-sized town.
²Patriarch is the Orthodox version of a Pope.
³This rule did not apply to commoners or the clergy.
⁴I also remember reading once that under Peter the Great, any man found going to bed with his boots on could be killed. I've been unable to find where I read that, so treat that factoid with caution.
⁵The Duma of this time period is usually referred to as "Boyar Duma" to differentiate it from the Duma of Czar Nicholas II and the modern Duma.


Sources
Empire of the Tsars: Romanov Russia presented by Lucy Worsley

Thursday, April 11, 2019

Damn, Girl-Queen Christina of Sweden, Minerva of the North

One of the most colorful queens of history, Christina of Sweden lived many lives within the span of 62 years. An enigma wrapped in a mystery deep-fried in a contradiction, she ruled Sweden for fourteen years and oversaw some of the best infrastructural and cultural improvements of the country at the time, yet she abandoned her country to live unfettered by duty. She was a philosopher and a patron of the arts whose collecting and patronage preserved some of the best late Renaissance/early Baroque art and music, and was a major player on the European political stage.

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Christina
Christina was born in December of 1626 to Queen Maria Eleonora of Brandenburg and Gustav II Adolf, who were desperately seeking an heir. Maria had had three previous miscarriages, and all of them had been girls. When Christina was born, Maria was very disappointed that she had another daughter instead of the son she had hoped for. Gustav, on the other hand, was ecstatic that they finally had a living child and ordered that she be treated and educated as a prince. Four years later, she was declared heir apparent.

Gustav was deeply embroiled in the Thirty Years War, and after being separated from his men, he died in battle in 1632. Gustav was a remarkable ruler in his own right, but his wife was...unstable. Before his death, Gustav had ordered that Christina be raised by her aunt Catherine and not by her mother. However, that order was disobeyed, and Christina lived with her mother for several years.

To say that those years were unhappy would be an understatement. Maria Eleonora had plunged into a deep depression after the death of her husband. She had her apartments draped in black and refused to let Gustav be buried keeping his body lying in state, except for his heart, which she kept with her in a small, gold casket. She insisted that Christina be with her at all times and, in turns, verbally abused her daughter for not being a boy, criticized her for not being feminine enough, and scarred the young queen with outbursts of violent affection. The governors appointed by Gustav to take care of Christina during her minority deemed Maria unfit as a mother and gave custody of Christina to her aunt. Maria Eleonora was exiled to Gripsholm castle.

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Gustav II Adolf
Christina's youth with her aunt and cousins was filled with lessons. This might have been tedious to any other child, but Christina passionately loved learning and would spend her life in hours of daily study, and she often said that her favorite activity was learning new languages¹. In her childhood, she would rise at five, then spend six hours at her lessons. On weekdays, those lessons were the academics one would expect. On weekends, she was tutored in the princely sports of riding, shooting, and swordfighting. Afternoons saw politics lessons with Axel Oxenstierna², one of the most accomplished politicians of the era.

Christina's main tutor was Johannes Matthiae, a retired clergyman and skeptic of the Lutheran faith. The Lutheran faith, then as now, was the state religion, and rulers were required to be Lutheran. Mathie taught Christina to question Lutheranism, a skill that would aid and plague her throughout her life.

Though Christina would not formally assume the throne until 1644,³ she was consulted in serious political matters as early as 1638, when she was just twelve years old. She started ruling with the council in 1640. During these early years, she showed a strong inclination against warmongering and favored the improvement of Swedish infrastructure and extending welfare and education to the lower classes. Achievements of this time include overseeing the refurbishment of Stockholm, and the setting out of the "Instructions", a document that stated in exacting detail how the colony of New Sweden was to be run. The "Instructions" contained progressive ideas like not warring with the surrounding colonists and not massacring the Native Americans. It instructed that colonists were to pay tribes for their lands and that they were to practice religious tolerance.⁴

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Maria Eleonora
After reaching majority, Christina most notably helped bring an end to the Thirty Years' War by declaring that the official religion of a state should be the same as the religion as its ruler. She established the first Swedish newspaper and opened up education to all citizens.

Christina's goal was to bring the fledgling Enlightenment north. She wanted to turn Stockholm into the "Athens of the North", and for this, she is often known as the "Minerva of the North". A big fan of philosophy, going so far as to claim it was more important than science, Christina imported philosophers to her court--most notably Rene Descartes, who tutored her personally.⁵

All of this was quite expensive, and Christina's habit of giving away crown lands and her refusal to marry worried her nobles. Even more worrying was her relationship with her beautiful Maid of Honor, Ebba Sparre.

Ebba Sparre was the daughter and granddaughter of politicians and was also a celebrated beauty. As is the case with so many people of the era, much of the details of her life are lost to history, and the lady herself might have been entirely forgotten had she and Christina not been lovers.

Though not much is known about their affair, that it existed is unquestionable. Even for an era where friendship was proclaimed in far more florid and intimate terms than it is now, Christina was suspiciously demonstrative of her love for Ebba. She proclaimed Ebba as her royal bedfellow and frequently gushed about her "friend" to foreign ambassadors, urging them to appreciate Ebba's beauty and wit. Surviving letters from Christina to Ebba paint an undoubted picture of extreme passion. In 1656 Christina wrote to Ebba:
"How happy I should be if only I could see you Beautiful One. But I am condemned by Destiny to love and cherish you always without seeing you; and...I cannot be completely happy when I am separated from you. Never doubt this fact, and believe that, wherever I may be, I shall always be entirely devoted to you, as I have always been...Goodbye Beautiful One, goodbye. I embrace you a million times."⁶
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Ebba Sparre
Though Ebba married Jakob de la Gardie in 1652, some sources claiming on Christina's suggestion, others her ire, the two women remained in contact throughout their lives. Christina tried to visit Ebba several times but was prevented by Ebba's family. The pair would never meet again after Ebba's marriage.

In 1654, Christina finally achieved her dream of abdicating. She had been trying to give up the throne since 1650 and had petitioned the Riksdag no less than 20 times, claiming that ruling was bad for her health. They had previously denied her requests, but in 1654 they relented.

Why, exactly, the Riksdag relented is a matter of some debate. Some sources claim that it was because Christina had alienated the nobility with her spending and attempts to enlighten her court. Some sources say that the affair with Ebba Sparre and Christina's refusal to marry made the Riksdag worried about the future of Sweden. Other sources claim that it was because Christina had converted to Catholicism, and that the Riksdag was forced to let her abdicate. Whatever the reason, Christina designated her cousin and once fiance Carl as her heir and abdicated.

The Swedes, at large, were NOT happy with this development. Despite the feathers she ruffled, Christina was still wildly popular with nobles and peasants alike, so popular that she had to uncrown herself during her abdication ceremony, as the gentleman assigned to the task refused to do so.

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Christina was described as being "short,
pockmarked, with a humped right shoulder"
Dressed as a man, Christina left Sweden, and arrived in Rome. In 1655, she officially converted to Catholicism, which was a huge coup for the Vatican. The conversion of a previously Protestant ruler made Pope Alexander VII so happy that he gave her sumptuous apartments in the Vatican and gave her a stipend from church coffers to help maintain her lifestyle. This enamorment didn't last long, as the pope soon discovered that Christina wasn't one to blindly accept the religious teachings of the church. That aside, Christina kept a home in Rome for the rest of her life and was called friend by seven popes.

Finally, free to do as she wished, Christina traveled Europe. She became a major patron of the arts, amassing a huge collection of Venetian school paintings, opening the first opera house in Rome, sponsoring the composers Arcangelo Corelli and Alessandro Scarlatti, founding the still functioning Arcadia Academy, and rescuing the reputation of the architect Bernini. She began writing herself, publishing three main philosophical works and sponsoring philosophical conventions around Europe.

Though Christina spent most of the rest of her life writing, art collecting, and philosophizing, she did make two more forays into politics. In 1657, it came to light that Christina had been plotting the takeover of Habsburg Naples with the support of the French crown. The scheme collapsed after Christina attended the summary execution of a traitorous servant at Fontainebleau. In 1667, she attempted to have herself elected queen of Poland but was unsuccessful. She was, reportedly, not too distressed about this failure.

In 1670, Christina returned permanently to Rome and lived there until her death in 1689. She died a well-respected philosopher and patron of the arts. She was buried in the Vatican Grotto--one of only three women to be buried there.

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Christina in her later years
Christina's main focus in philosophy, like so many other philosophers of her day, was on the nature of love. According to Christina, real love was religious in nature, and very rare. She also believed that men and women were equal, saying that "soul had no gender". She was also a big fan of religious tolerance, exerting her influence to protect Rome's Jewish community and the Huguenots in France. In government, Christina was a big fan of Enlightened Despotism, believing that a good and enlightened ruler with absolute power was the only way to properly govern a country. She wrote three books on her philosophical views.

One of the most commonly discussed aspects of Christina is her gender and sexuality. Historians have been quibbling over the question since before Christina was history, and unless Christina rises from the grave to give us a definitive answer, it is unlikely that we will ever have a definite answer. Christina has been, by turns, described as straight and slandered, bisexual, lesbian, transgender, hermaphrodite, and asexual.

This historian strongly favors the bisexual and lesbian theories, as Christina's name was later linked with that of Cardinal Decio Azzolino, as well as that of Ebba Sparre. Christina also wrote passionate letters to women whose writings she admired and once spent several hours alone with a famed courtesan. Whatever Christina may have felt and done with other people, it seems likely that Ebba was the love of Christina's life. Christina's lifelong letters to Ebba show a woman who is very much in love, and neither party ever found happiness with another person (Ebba's marriage was famously unhappy).

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Christina's tomb beneath St. Peter's Basilica in Rome
Christina was a woman of contradictions. She hated the task of ruling, yet attempted to take over two countries. She believed in gender equality, but said on multiple occasions that she didn't think women should rule. She loved women, but did not often enjoy their company. Christina led a troubled life and has gone down in history as one of the most complex and intriguing monarchs in European history.





¹Christina reportedly learned to speak Latin, Spanish, Italian, German, and French, in addition to Swedish. She also had some knowledge of Hebrew and Arabic. Out of all of these, French was the one she used most frequently and the language she wrote in.
²Christina loved learning from Oxerstina and claimed to prefer learning from him above all else. However, later in her reign, she limited his power, resentful of his attempts to limit her power during her minority. Oxerstina, a devout Lutheran, tried to limit Christina's contact with her cousins due to the Calvinist leanings of their parents. This may also have contributed to Christina's later ambivalence toward him.
³Though she assumed the throne in 1644, she was not officially crowned until 1650 because of Sweden's involvement in constant warfare.
⁴Religious tolerance aside, colonists of New Sweden were still supposed to try and convert the Native Americans to Christianity.
⁵Descartes unfortunately died of pneumonia four months after reaching Stockholm. This may have been contributed by Christina's insistence at 5 am study sessions in the freezing winter.
⁶Quote taken from "'A Girton Girl on a Throne': Queen Christina and Versions of Lesbianism, 1906-1933" by Sarah Waters.


This article was edited by Mara Kellogg.


Sources
"Christina of Sweden" by Marguerite Horan Gowen
"Christina of Sweden (Continued)" by Marguerite Horan Gowen
"A Girton Girl on a Throne': Queen Christina and Versions of Lesbianism, 1906-1933" by Sarah Waters
"Two Portraits of a Queen: Calderón and the Enigmatic Christina of Sweden" by Deborah Compte
Wasa, Kristina (1626-1689)
Christina, Queen of Sweden
Famous Queen Christina
Queens Regnant: Christina of Sweden--the Girl King
Queen Coins: LGBTQ Rulers Through History