Damn, Girl-Khutulun-Mongol

Khutulun Mongol, alternatively known as Aigiarne, Aiyurag, Khotol Tsagaan, Ay Yaruq,¹ and in fiction as Turandot, was a warrior princess of the Chagatai Khanate in the late 13th, and early 14th centuries. Her father, the warmongering Kaidu, trusted her as one of his chief military and political experts. He would have made her the next khan, but possessors of y chromosomes disagreed. Today, Khutulun is best known for refusing to marry any man who couldn't beat her in a wrestling match.

Khutulun wrestling a potential suitor. Painted by an Italian
more than a century after her death, it seems unlikely that
this is an accurate likeness.

At the time of Khutulun's birth in 1260, Genghis Khan's massive empire had been split into several, less massive parts. Kublai Khan, the preeminent of his successors, was ruling Yuan China in decadent luxury. Kublai had, for all intents and purposes, abandoned his nomadic Mongolian roots, something that irritated the lesser khans sworn to him.

Kaidu, leader of the Chagatai Khanate, was chief among the irritated. He didn't believe in settled existence, and instead spent his time making war with the peoples around his empire. The Chagatai Khanate, which encompasses modern Uzbekistan, Tajikistan, Kyrgyzstan, Kazakhstan, Afghanistan, Pakistan, and Western China, was as nomadic and warlike as Genghis Khan had been. As such, they considered it their duty to make war on Kublai Khan and Yuan China as much as possible.

Enter Khutulun. The youngest and only girl of Kaidu's fifteen children, she was her father's favorite. Renowned for her skills in the three Mongol sports--archery, wrestling, and horse racing--Khutulun accompanied her father into battle, terrifying their enemies with her unique, but inefficient style of warfare. According to Marco Polo, one of the two contemporaries who wrote about her:

"...the damsel rushed into the midst of the enemy, and seizing upon a horseman, carried him off to her own people."

This daring do, along with her other victories, terrified her enemies, and made people believe that Khutulun was blessed by the gods.

Khutulun is best known, however, for her skill in wrestling. She was undefeated, taking down wrestlers of all shapes and sizes. It's not surprising, Marco Polo described her as:

"...so well-made in all her limbs, and so tall and strongly built, that she might almost be taken for a giantess"

The Chagatai Khanate

Khutulun was a prime prize on the marriage market, but she made her father promise her, in writing, that she could choose her own husband. She then issued the challenge: she would marry any man who could beat her in a wrestling match, but to wrestle her, a man had to wager 100 horses. If he lost, she kept the horses. If he won, she'd marry him. No one quite measured up. By the time of her death, Khutulun had 10,000 horses.²

This served to increase Khutulun's popularity among her people, after all, victors in war and sports were considered blessed and favored, but it didn't get her married, something her parents weren't too happy about. In 1280, a rich and attractive prince came riding up. Cocksure, he wagered 1,000 horses that he would beat and marry Khutulun. Kaidu and Khutulun's mother begged her to throw the match. After all, the prince was young, handsome, rich, and a fierce warrior. Khutulun refused. She not only defeated the prince and took his horses, she so thoroughly defeated him that he slunk away, humiliated, in the night.

Khutulun did eventually get married, though not to a man who defeated her. Some sources hold that she married to stave off rumors that she and her father were getting biblical. Other sources say that she fell in love. That Khutulun married is not in doubt, who she married, on the other hand, is. According to contemporary sources and the legends that grew up around her, Khutulun may have married:

• A man who failed to assassinate her father
• An attractive man who had been taken as a war prisoner
• A good looking soldier
• A friend of her father
• Ghazan Mongol, the ruler of Persia

Who she married is uncertain, but it seems that she stayed close to home, because her father tried to make her his successor as khan. However, as might be expected, despite her qualifications people objected on the grounds of her gender. Kaidu was instead succeeded by Duwa, the son of a rival. Though Khutulun supported her brother Orus in his attempts to become khan, she was unsuccessful. Khutulun died in 1306

Modern traditional Mongolian wrestlers. In Khutulun's
time wrestling consisted of two people grappling. The
first to drive the other to the ground was the winner.

Aside from brief mentions in Marco Polo's travel diaries, and the letters of Rashad al-Din, Khutulun barely makes a mark in the historical narrative. She is known best in the west as the basis for the character of Turandot, but among the Mongolians she is remembered as the best wrestler to ever live. She influence is evident in the costume of Mongolian wrestlers--a vest that leaves the chest bare, boots, and briefs. Since her death, women have not been allowed to wrestle, this costume, along with the victory dance performed after a match, proves that the wrestler is male. Centuries later, Khutulun's athletic exploits are remembered, even if her name is not.


¹All of these mean something to the effect of "moonlight".
² In Mongolian tradition "10,000" doesn't really mean 10,000. It means "so many I didn't want to count". The real number of Khutulun's horses may be higher or lower, but either way, she won a LOT of horses.

Sources
The Secret History of the Mongol Queens by Jack Weatherford
The Travels of Marco Polo: the Venetian by Marco Polo
From the Oxus Rivers to the Syriac Shore by  Li Tang and Dietmar W. Winkler
The Wrestler Princess
Khutulun: Descendant of Genghis Khan and Asia's Fiercest Female Badass
Khutulun: the Undefeated Badass Mongolian Warrior Princess
Khutulun: the Wrestler Princess

The Indus Valley Civilization-The Secrets of Two Cities

Called 'The Priest King' this iconic
Harappan statue was found in
Mohenjo Daro

Existing several hundred years after the Varna Culture, and home of one of the worlds first major urban center, the Indus River Valley Civilization, or Harappa Civilization, was almost forgotten to history until the early 20th century. Contemporaries with Egypt and Sumer, the Harappa civilization has some of the earliest and finest examples of urban planning, writing, and a standardized system of weights and measures. Unlike their neighbors, they didn't pursue conquest, or build large monuments. This, along with the fact that scholars have yet to decipher the Harappa system of writing means that unfortunately very little is known about this great civilization.

Harappa was rediscovered (by a white person) in 1826 CE by British Army deserter, James Lewis. Lewis was wandering the Punjab region of the then British India in search of ancient artifacts, and, presumably, in avoidance or people who would take him back to the army. At the time Lewis, and the archaeologists who later followed him, assumed that the city dated to around the era of Alexander the Great. However, later discoveries of artistic seals identical to ones found in Sumer would prove that the Harappa civilization is much, much older.

Beginning somewhere around 2500 BCE, and ending about a millennium later, the mysterious Harappa Civilization left little behind except their enigmatic cities. Because the Harappan script has yet to be deciphered, information on the Harappans has to be gleaned from the remains of their cities.

Ruins at Harappa

There are two major sites associated with the Harappa civilization--Mohenjo Daro in Sindh Pakistan, and Harappa itself, in Sahiwal. These cities are laid out in similar fashions, and artifacts found have confirmed that these two cities were most likely part of the same civilization, if not quite the same country. It is widely speculated that, much like in Greece, Harappa and Mohenjo Daro were each sovereign city states participating in a wider culture. There is clear evidence of communication between the two, and it seems likely that they shared common laws and customs. Many archaeologists speculate that, of the two, Mohenjo Daro was the 'capital city', but this is, as of now, conjecture.

Harappan cities are laid out on a grid system, with streets aligning with the cardinal directions (north, east, south, west.) These streets were paved, and there were separate residential and commercial streets. In addition to planned streets, there was also a general sewer system, which was connected with every home.  In general, most houses had latrines and a bathing facility. Additionally, houses were located nearly public wells and fountains so that citizens had access to fresh water.

An interesting feature of Harappan cities is the uniformity of their building materials. Buildings were made of mud bricks covered in plaster. Brick size seems to have been standardized across the Harappan civilization, as bricks in Mohenjo Daro are the same size as the bricks in Harappa, and all bricks in the city are the same size.  Additionally, the durability of these bricks have led to them being constantly reused in new building projects. At the time of Harappa's rediscovery most of the bricks had been stripped away from the city to build the Lahore Railroad. It is a testement to the Harappans' skill that over 100 miles (161 kilometers) of railroad was paved using those bricks.

The 'Great Bath' in Mohenjo Daro. Though little is known
about Harappan religion, it is speculated that bathing was
an important religious ritual.

Based on archaeological findings, the Harappa Civilization seems to have been a somewhat egalitarian society. Residences, by and large, contain the same levels of luxary, and there is no indication of any sort of monarchy. It is speculated that the Harappans were governed by elected rulers.

The disappearance of the Harappa Civilization as traditionally been attributed to an invasion from Aryan peoples. (No, not those aryans). For many years it was believed that the Aryans had wiped out the Harappa Civilization when they conquered India. However, recent discoveries have called this theory into question. The lack of evidence of mass slaughter, and the genetic continuity between remains from Harappans and the modern people of Punjab and Sindh suggest that the Aryans may have arrived after the Harrapans had left. It is now hypothesized that shifting climate and overcrowding caused the Harrapans to leave their cities, and disperse to other settlements in the region, abandoning Harappa and Mohenjo Daro. This theory is hardly satisfactory, and undoubtedly continuing research will see this theory modified within the next decade.

Sources
Indus Valley Civilization
Indus River Valley Civilizations
Indus Civilization
Early Civilization in the Indus Valley
The Ancient Indus Civilization
Harappa: An Overview of Harappan Architecture and Town Planning
Harappa
The Harappan Civilization
The Lost City of Mohenjo Daro
Mohenjo Daro
Mohenjo Daro and Harappa

Damn, Girl-Nur Jahan, a Woman Worthy to be Queen

Either the twelfth or the twentieth wife of Mughal Emperor Jahangir, Nur Jahan was thrust into a life of fear and uncertainty. She was born while her parents were fleeing Persia, and was left on the road. Luckily, she was returned to her family, and was regarded as a lucky symbol from then after. Indeed, Nur Jahan was lucky for her family, because she would later become the Emperor Jahangir's favorite wife, and would, essentially, rule India in his stead, raising her family to the higher echelons of power with her.

Contemporary portrait of Nur Jahan

Born Mehrunnisa, Nur Jahan was the child of Mirza Ghiyas Beg and Asmat Begum, both high ranking members of the Persian court. Although it is unknown precisely why Mirza and Asmat had to flee Persia, it is known that they were fleeing to the court of Emperor Akbar (Jahangir's father) in search of a better life. Asmat was heavily pregnant, and gave birth along the road. Shortly after Nur Jahan was born, their caravan was attacked by robbers, leaving the family with little goods or money to start over in their new life. Fearing that they would be unable to provide for their daughter, her parents abandoned Mehrunnisa on the road.

According to legend, Mehrunnisa's mother was so distraught at having left her daughter behind, Mirza agreed to go back for the infant. When Mirza found Mehrunnisa underneath the tree they'd left her, a large cobra was looming over her, ready to swallow her whole. Mirza rushed at the snake, shouting, and the snake slunk off to do it's snakely business elsewhere. Mirza took his daughter back to his wife, and after telling the tale of his daughter's miraculous escape, their fellow travelers gave them the money to continue with their journey.

Other accounts say that Nur Jahan was left on the road, but was returned to her parents by other members of their caravan. Either way, shortly after the return of their daughter Mirza and Asmat arrived at Akbar's court, and settled into life as a mid-level bureaucrat.

Prince Selim, later the Emperor Jahangir
-World Grabber

Mehrunnisa, who's name means 'The Sun of Women', grew up to become a beauty with an excellent education. She was an accomplished musician, poet, dancer, and artist, and she was also known for being witty and charming. She was also a fashionista, cook, and landscape artist. It is unsurprising that around 1594 she enchanted Prince Selim (later Jahangir) to the point that "he could hardly be restrained, by the rules of decency, to his place."

Prince Selim, heir to the throne, was so besotted with Mehrunnisa that he sought her hand in marriage. However, Mehrunnisa was already betrothed, and Emperor Akbar refused to break the engagement in favor of his son. So, at the age of 17, Mehrunnisa was married to Sher Afghan, a Persian courtier and adventurer. Her first marriage, while not a love match (or particularly propitious), gave Mehrunnisa Ladili Begum, Mehrunnisa's only child.

Sher Afghan wasn't destined to live to a ripe old age. He died in 1607, after 13 years of marriage. There are many rumors saying that Selim, angered by Sher Afghan's refusal to break his betrothal, and lust for Mehrunnisa, had Sher Afghan killed. The History of Hindostan, a somewhat sketchy contemporary source, gives an account of Selim's many failed attempts to have Sher Afghan killed, culminating in Selim ordering a small army to attack Sher Afghan. While if Selim actually arranged Sher Afghan's death is in doubt, it's proven fact that in 1607 Mehrunnisa was widowed at age 30.

Ladili Begum

Shortly after her husband's death, Mehrunnisa was summoned to Delhi to act as a lady-in-waiting to Prince Selim, now Emperor Jahangir's stepmother. In 1611 Mehrunnisa was married again, this time to the Emperor, becoming his 12th (or 20th, sources disagree) wife.

Emperor Akbar, Jahangir's father, had been a brilliant Emperor. Starting with only a small part of what is today Pakistan, Akbar managed to conquer all of north India, swallowing modern Nepal, Bhutan, Bangladesh, and parts of Afghanistan, Tajikistan, and China. He'd been a strict Sunni Muslim, but had encouraged religious discourse between Muslims, Hindus, Parsis, and Christians. He'd managed to woo local leaders of all religious persuasions to his side, yet retained his own religious supremacy (while building up a cult around himself).

Jahangir was a pale imitation of the brilliance of his father. Jahangir tried, undoubtedly; he extended his empire further down the Indian subcontinent, and managed to keep the empire more or less together. However, where Akbar had been focused on reform and expansion, Jahangir was focused on art and culture. Where Akbar had strictly followed the tenants of Islam (which forbid drugs and alcohol), Jahangir saw them more as guidelines, and at the time of his marriage to Mehrunnisa, was well on his way to becoming a non-functioning addict.

Mughal Empire

As far as marriages went, Jahangir and Mehrunnisa, renamed Nur Jahan (meaning 'Light of the World), were pretty happy. Jahangir was smitten with Nur Jahan, and she seemed to have returned his affection. While the couple never had children, Nur Jahan became Jahangir's Empress, and she was, by all accounts, a loving step mother. Jahangir and Nur Jahan had a great deal in common--they both loved the arts, and were passionate about hunting. Most importantly, Nur Jahan was more than willing to take over running the country, leaving Jahangir to lose himself in opium and mindless pleasure to his heart's content.

As the de facto ruler of India, Nur Jahan put herself in the forefront of government work. She signed her name to royal decrees, along with her husband's, essentially giving herself the power to issue decrees, as well as promote and dismiss officials within the empire. She struck coinage in her own name, something that had never happened in Mughal history. She presided at Court, hearing cases about disputes between nobles, and passing judgement. She conducted international relations with other powerful women in foreign countries, and cemented trade deals. She was a shrewd businesswoman, and under her guidance India enjoyed an era of peace and prosperity.

Nur Jahan

Nur Jahan was also a philanthropist. She was particularly concerned with the women of her empire. Concerned that poor women would be unable to marry, she personally provided a dowry for over 500 women. She was the patroness of dozens of female poets and artists, many of whom's works survive today.

Despite her peaceful reputation, Nur Jahan had no scruples about warfare. She was an excellent sharpshooter herself, known as 'Tiger Slayer' for her remarkable feat of killing four tigers with six bullets. (keep in mind, these are 17th century bullets.) She planned and led several expansionist campaigns herself. When her husband was captured, she rescued him with a contingent of soldiers, riding in on an elephant, and successfully winning the battle despite the fact that both her and her elephant were injured.

Though the empire was prospering, Nur Jahan reigning after the death of her husband was out of the question. It was widely assumed that Khurram (later Shah Jahan), Jahangir's third son, or Shahryar, Jahangir's youngest son. Nur Jahan initially supported Khurram, even marrying her niece Mumtaz Mahal to him. However, Khurram's hunger for power as he grew older led to Nur Jahan throwing her support behind Shahryar (who was married to her daughter Ladili).

When Khurram, now Shah Jahan, took power in 1628 he had Nur Jahan sent into exile in Lahore along with Ladili Begum, who was widowed after the death of Shahryar. Nur Jahan lived for another 18 years. Though she had backed his rival, Shah Jahan, kept her in comfort, and Nur Jahan was allowed to continue her building and artistic projects. She was kept from the political workings of the empire, but put her efforts into charity work instead, building mosques and assisting the poor. She died quietly in 1645.

Silver rupees with Nur Jahan's name on them

After her death, Shah Jahan did his best to erase Nur Jahan from history, having the coins with her name rescinded, and erasing her from official records. However, Shah Jahan was not at all successful--a testament to Nur Jahan's incredible influence. The hundreds of mosques and gardens she had constructed, as well as the waystation system for travelers she had established could not be demolished. Her artistic influence continues to influence India to this day. She invented several dishes which are now a staple of Indian cuisine, and the flowering patterned muslin she favored is a favorite in Indian fashion. Her style of stitched clothing and structured saris is still the norm for Indian dress. A wealth of poetry written by her still survives, as do many of her buildings and gardens.

Nur Jahan was an extraordinary woman for any era, but especially for the era into which she was born. She ran an empire so skillfully that even her staunchest enemies grudgingly admitted that she was, what would later become her most famous epithet, 'A Woman Worthy to Be Queen'.

Sources
A History of Hindostan: Translated from the Persian: to Which are Prefixed Two Dissertations, the First Concerning the Hindoos, and the Second on the Nature of Despotism in Indian. Volume III by Muhammad Qasim Hindu Shah Astarabadi Firishtah
Indian-Jahangir
Nur Jahan
Nur Jahan: Mughal Empress
Empress of Mughal Indian: Nur Jahan
World Changing Women: Nur Jahan