Holy Harlots, Hammurabi!

One of my giant pet peeves as a thinking person is when people try to claim that people past upheld strict codes of moral virtue, and that today's world of casual sex and prominent sexuality would have shocked the ancients. This is, of course, complete nonsense. Sexuality has been a favorite topic of humankind since the world began, no matter how much governments try to suppress it.¹ One of the biggest examples of this is the Mesopotamian practice of sacred harlotry.

Figurine of the goddess
Ishtar, who later became the
goddess Inanna

There were two major sacred prostitution practices in ancient Mesopotamia²--The Great Marriage, an annual fertility right, and Sacred Prostitution, an act carried out by women to show their devotion to the love and fertility goddess Inanna.

The Great Marriage was an important part of Mesopotamian religion where the reigning king or high priest of a city would engage in ritual intercourse with the high priestess of Inanna. This was done as part of an acting out of the myth of the marriage of Inanna with Dumuzi--an agriculture god. Echoing the tale of Persephone and Hades, Inanna marries the god Dumuzi, and for a while they are happy. While they are happy, crops grow and the land is fertile. However, after a few months Dumuzi dies (in some myth versions Inanna kills him), and he descends to the underworld. During this time nothing grows, and the people are in danger of starvation. At the end of the myth, Inanna descends to the underworld to retrieve her husband, and they are remarried--beginning the cycle again.

This ceremony makes sense when put into the context of the volatile fertile crescent. Though a lush and plentiful land, Mesopotamian civilizations relied on the unpredictable and often violent floods of the Tigris and Euphrates rivers. Appeasing their large pantheon of uncaring gods was important to survival, and honoring Inanna and Dumuzi was a great way to do some appeasing.

Ruins of a Mesopotamian temple or Ziggurat 

What makes slightly less sense is the story of the 'Temple Harlots'. Herodotus claims, as well as some fragments from The Epic of Gilgamesh, that women, young and old, would at least once in their lives go to the temple of Inanna, and offer up their body to any passing man who felt inclined. The silver that the man gave the woman after sex would then be donated to the temple. By doing this, the women were inviting the goddess to be a part of their lives, and this practice was considered necessary to appease Inanna.

Now, it must be said that there is a lot of dispute among scholars about if women actually offered themselves as prostitutes for Ishtar/Inanna/Astarte. The main sources in favor of it--Herodotus and James George Frazer-- aren't considered to be the most credible, and several modern scholars have written extensively against the idea that Mesopotamian women engaged in ritual prostitution. Despite this, the idea of sacred prostitution in Mesopotamia is taught in many schools³, and is still held as a belief among many historians.

¹Victorian England and modern countries under Sharia law, I'm looking at you.

²Evidence points to these practices being carried out in Sumer, Assyria, and Babylon, so all three civilizations will be referred to by their umbrella term--Mesopotamia.

³This was taught to me and my classmates in a much more kid-friendly way when I was 12. We were taught that Mesopotamian women had to wait at the temple for a man to come around, and drop a silver coin in her lap. This indicated that he would marry her, and that she could leave the temple. This myth was forcefully dispelled by my college history professors.

Sources

Sacred Marriage and Sacred Prostitution in Ancient Mesopotamia

Temple/Sacred Prostitution in Mesopotamia Revisited

Sacred Sexuality-Mesopotamia Holy Harlot

Damn, Girl-Enheduanna, High Priestess of Ur and the World's First Author Known by Name

Living more than 2000 years before the common era, Enheduanna was, without a doubt, one of the most important religious and political figures of ancient Mesopotamia. Not only was she one of the first women to serve as high priestess to the moon god Nanna, but she successfully integrated the Sumerian and Akkadian pantheons, uniting the Sumerians and Akkadians into one people under the rule of her father, Sargon the Great.

Alabaster disk depicting Enheduanna and three unknown
males. She is the second from the left, and the largest
figure, showing her importance. 

To really explain why Enheduanna is such a remarkable woman, I need to explain the political situation of her era. Enheduanna was born into ancient Mesopotamia--arguably one of the most bloody and turbulent civilizations to exist. Located in modern Iraq, the ancient state of Sumer was in the process of being unified (read as 'conquered') by an upstart, fatherless Akkadian named Sargon. Sargon was eventually successful, but he didn't just want to conquer unify all of Sumer. No, Sargon dreamed big, Sargon wanted the impossible; he wanted peace.

The Mesopotamians had a whole pantheon of violent and angry goods whom they relied on very much. Being located between the Tigris and Euphrates rivers might have given them lush farmland, but the rivers were wildly unpredictable, and violent floods could happen at any moment. To try and keep the rivers, as well as more bloodshed, at bay, the Sumerians were devout worshipers. Their lives depended on it.

The Akkadians worshiped a different set of gods. Sargon came to the conclusion that to unite his people, he should unite them under one religion. That's when he asked his daughter, Enheduanna, to step in.

Now, before I go further, I must note that Enheduanna may not have been Sargon's literal daughter. Sargon may have designated her his 'daughter' as a symbolic gesture to link his kingship with the gods. However, if Enheduanna was Sargon's literal, biological daughter, it would certainly explain the Sumerian tradition of appointing princesses as high priestesses.

Clay tablet of Enheduanna's poetry

Sargon appointed Enheduanna as high priestess to the moon and creator god Duanna. It is presumed that Enheduanna changed her name to Enheduanna to reflect her position. Enheduanna's job was to unite the Akkadian and Sumerian gods into one pantheon; a job Enheduanna set to with relish. To do this, she picked up her scribe, and proceeded to dictate several hundreds of hymns and religious texts.

Though Enheduanna was priestess to Duanna, she was much more interested in Inanna, goddess of fertility, love and beauty. She seemed to have considered Inanna her goddess, and most of her surviving works are devoted mainly to Inanna, not Nanna.

Enheduanna was also quite interested in the Akkadian goddess Ishtar. Ishtar was similar to Inanna--goddess of love, fertility, etc.--but she was also the goddess of war. In her hymns to Inanna, Enheduanna started to slowly combine the aspects of Inanna with the aspects of Ishtar--depicting Inanna on the battlefield, sword of judgement in her hand.

Enheduanna was briefly exiled from Ur during a coup d'etat orchestrated by political enemy Lugal-Ane. Lugal-Ane overthrew Enheduanna's father Sargon, and forced Enheduanna out of the city. Enheduanna had proclaimed Lugal-Ane unworthy and ungodly because of his treatment of the priestesses. It was in response to this exile that Enheduanna wrote her seminal work.

Inanna with a lion.

The Temple Hymn, Enheduanna's most famous work, was preserved in stone on pillars in her temple. It is a poem starting in the third person, then gradually moving to the first, praising Inanna, calling Inanna to rid Enheduanna of her enemies, telling the story of Enheduanna's exile from Ur, then telling the story of Enheduanna's triumphant return. In reading of the poem, Enheduanna seems to take on the place of Inanna as a goddess herself. Unsurprisingly, there is evidence saying that Enheduanna may have been worshiped as a deity after her death.

Despite having lived more than 4,000 years ago Enheduanna is well known because of the many copies of her works that exist today. Hundreds of clay tablets have been excavated that contains copies of her poetry. Additionally, in 1929 an alabaster disk containing Enheduanna's image was found. This disk portrays Enheduanna as the central character, and confirms that she held a great position of importance in Sumerian society.

In addition to the many great things she did politically, Enheduanna has quite a few literary firsts to her name. She is the first (known) author in the world. While there are certainly texts written before Enheduanna's hymns and poetry, all are written anonymously; Enheduanna was the first to claim credit for her work. In addition, Enheduanna is the first (known) author to have written in the first person.

Enheduanna was an exceptional woman for many reasons. She effected tremendous change in the politics, religion, and literature of her time, and those changes made history. Sumer wouldn't have been who it was without her contributions to their religion. Though she isn't well known, Enheduanna life's work is still taught in schools today.

Sources
Enheduana-Ancient History Encyclopedia
Enheduana-Dr. Roberta Binkley
Enheduana-New World Encyclopedia
Enheduanna, Daughter of King Sargon. Princess, Poet, Priestess. 2300 BC